Synopsis:
This clip is taken from a 1938 short called “How Walt Disney Cartoons Are Made”.
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Walt Disney has always been mesmerizing us since childhood with unforgettable characters and movies. Animation is a tough job. This video shows how that was done, how 3D effect was created.
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Our first part of the lecture will focus on pioneers and experiments. We will also find out how Ukrainian animators in the 1920s made advertisements, propaganda, and children’s stories, sometimes even combining all of them in a single artwork. We will also discuss the problems that Ukrainian animation faced and how it bothered and threatened the Soviet government. In the second part of the lecture, we will talk about how and where the animated film heritage is preserved today. What is the size and significance of the animation collection kept at the Dovzhenko Centre.
- Documentary
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On her Masterclass “Unsung Women Heros of Animation”, the well known Animation Journalist, Nancy Denney-Phelps reflects why there is so few women in the animation industry, even though almost 65% of all animation students are female and why we all know the Fleisher Brothers and Walt Disney, but with a few exceptions, the women who blazed the animation trail are almost unknown to us. Denney-Phelps is a distinguished animation journalist and a well-known guest in many Animation Festivals. She writes an animation blog to the Animation World Network – AWN.
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- Non-narrative
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The festival’s creative director Hämid Shajarian interviews the participants of the National Competition category of Animatricks 2021: Tove Johnson – Jumalolento by Juho Maurinen (2019), Left Behind by Minna Eriksson (2020), Rinse and Shine by Iiris Korjus ja Katariina Haukka (2021), The Things I Saw: Monday by David Graham (2020), Bad to the boner by Robert Lönnqvist (2021), Tiedänkö mitä etsin by Ylva-Lii Wahlström (2019)
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The director interview with Natasha Cetner.
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Austrian animation director and media-artist Reinhold Bidner is working in the fields of animation, media art and games. In his Masterclass Encounters & Inbetweens, Reinhold talks about and discuss his artistic animated experiments in between various disciplines, formats and techniques. He will also present images and video excerpts. The session was moderated by Animatricks Creative Director Hämid Shajarian.
- Documentary
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Lorraine Lordan talks from Ireland on her international career in animation. She explains how she has been able to balance making a short film with lead roles on features, and shares what she has learnt along the way.
- Documentary
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This lecture by Professor Maura McDonnell will give a light introduction to the emergence of visual music from early beginnings, through various technologies and mediums to present day practices.
- Documentary
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- Abstract
- Non-narrative
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Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
- Documentary
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- Abstract
- Experimental
- Non-narrative
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In this touching presentation, Pedersen describes the creative and visual processes behind three of his films produced by Mikrofilm: The folkloric anxiety of The Boyg (2016), The looping limbo of Zolle: Resign (2021) and the nuclear petri dish of Little Boy (2018).
- Documentary
- Abstract
- Experimental
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- Non-narrative
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Creative Europe Desks NL and Luxembourg, together with Kaboom Animation Festival, organized an interactive online session to learn all about the ins and outs of highly acclaimed European training initiatives The Animation Workshop, CEE Animation & La Poudrière. This recording of the Masterclass gives insights into how these programs tailored to the animation industry promote expertise and help you build and nurture a professional network across Europe.
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The lecture covers animation in the context of new media and how it changes under the influence of other types of contemporary art, such as games, performance, installation. What kind of new animation tools emerged? How to use bugs and mistakes in search of innovation? How to use AI in contemporary animation?
- Documentary
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- Experimental