An animated outer-space odyssey puts Einstein’s theory of relativity to the test.
- Drama
Tag
Educational
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This brash, inventive cartoon musical—a landmark of independent animation—satirizes Eurocentric beauty standards while celebrating the natural beauty of Black hair.
- Drama
- Musical
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In India, cultural practice requires young girls to be dedicated to a Hindu temple, becoming temple dancers, serving its deity and priests for life. At the dedication ceremony they receive Muttu – a red and white necklace symbolizing their status. In a few short minutes, the director succeeds in building an oppressive atmosphere by using, among other things, traditional Indian music.
- Drama
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The Primanima International First-Film Animation Festival is back, marking its 10th edition in Budaörs this year. This year, the animated short films arrive earlier than usual—running from October 5 to 8—at the Mór Jókai Cultural Center and BABtér, with Saturday events also taking place at the Municipal Youth Club. In addition to screenings for adults, teens, and children, there will once again be workshops, discussions, and, of course, parties. Professional programs are taking on a new format, and Primanima Jumpstart—a hybrid talent development program—is launching as well.
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An interview with Virginia Mori, the author of the short animated film Haircut (Animateka 2015 Jury Jean_Luc Slock's Special mention)
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To celebrate the 20th anniversary of Wallace & Gromit we asked members of their official website to submit their questions to Nick Park. 20 of the best were selected and put to Nick in a special video interview shot in the brand new Aardman cinema!
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The interview was conducted by Kata Incze and István Kürti.
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Billy Roisz is one of the best-known figures on the Austrian experimental scene. Her ability to translate experimental music into visual memory images is particularly noteworthy, revealing borrowings from minimal art and conceptual art. She specializes in feedback video and video/sound interaction by using monitors, cameras, video mixingdesks, a selfbuilt videosynth, computer, a bass guitar and sometimes turntables for video and sound generating.
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We interviewed Panni Gyulai, whose film *Broken Things* won the PrimAlter Jury Award at the 8th Primanima festival, while Csaba Kalotás took home the PrimaSound Special Award for the film's sound design. Panni spoke to us about the process of creating films inspired by personal experiences.
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Milen Alempijević, the festival director of Animanima, who was a member of the International Jury at Primanima 2019 talks about the merits of Primanima, the challenges of organizing a festival, and about his work as a jury.
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Réka Bucsi (1988) is an independent animation filmmaker from Hungary. She earned her BFA and MFA at the animation department of the Moholy-Nagy University of Art and Design Budapest. Her graduation film Symphony no. 42 was shortlisted for an Oscar in 2014. Her films were screened in official shorts competition programmes at Berlinale, SXSW, Sundance, Annecy, and won over 50 international awards. In 2013/2014 she attended Animation Sans Frontiéres (ASF), a European animation production workshop.
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We asked László Csáki about his upcoming animated film, Blue Pelikán, which also features Primanima award winner Máté Horesnyi. He also shared his opinion on the films Fekete-fehér and Chris, a svájci.
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Daria Kashcheeva studies animated film at FAMU in Prague. In Daughter, her Bachelor’s puppet animation, Daria experiments with camera motion and explores the topic of father-daughter relationship. The project was pitched within the CEE Animation Forum 2018. The film has a premiere at Annecy Animation Film Festival and got Cristal for the best Student film and Young Jury award in Student film section.
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Experimental filmmaker and animator Blanca Rego (1974, Ferrol·Spain) discussed her creative process and introduced us to some of her abstract films.
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Author of "Aubade" - Competition programme.
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Interviewed by Veronika Zakonjšek during the 19th edition of Animateka International Animated Film Festival.
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Guillaume Guérin stopped believing in the images he sees and the representations they convey. To him, they have lost their objectivity and thus, he decided to focus on the abstract aspect of the Image.
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Kolja Saksida (Slovenian, born 1981) is active in the field of film as a director, actor and producer. At fifteen he made his debut in the short film Forward by Boris Petković, followed by roles in short films Robbery of the Century, Dark Side of the Moon and feature films like Fuck, Blind Spot, Installation of Love.
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Jelle van Meerendonk who visited Primanima with his film The Freedom of Failure tells all about the possibilities and creative powers of animation and why he doesn't use erasers.
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This video serves as an introduction to Yugoslavian animation. I discuss mostly the short films of Zagreb Film, but also TV shows such as Professor Balthazar.