Behind the scenes film about making of the film Zootopia.
- Comedy
- Adventure
- Family
- Making of
Technique
Behind the scenes film about making of the film Zootopia.
Producer, percussionist, and composer Samuli Kosminen shows us some of the rather unusual instruments used on the Moominvalley score – featuring dried chilies, design chairs, and jawbones of sheep, among other things.
Walt Disney has always been mesmerizing us since childhood with unforgettable characters and movies. Animation is a tough job. This video shows how that was done, how 3D effect was created.
The full review (note – spoilers will be discussed) and break down all of the details from Turning Red. We discuss the story, the characters, the music and, of course, dive into the many Easter Eggs we’ve spotted. Join us to chat along and share your thoughts with us! We’ll have some special guests as always (joining us this time are Drew Taylor, along with our regular pals Gio, and Paulina).
The cast of of the Toy Story 4 providing insights and offering samples of recording in the vocal booth.
With over 4 decades of experience, Gemini Award–winning writer, Shelley Hoffman, brings a wide-ranging perspective to every project. In addition to developing and showrunning the international hit series Kid vs. Kat and Camp Lakebottom, she collaborates with broadcasters and production teams from across the globe to create high-quality storytelling, characters, action and humour. At her keyonte she will share her perspectives on the current market’s demands: from character-driven stories to meeting the needs of co-productions to creating IP’s with the power to cross platform.
This clip is taken from a 1938 short called “How Walt Disney Cartoons Are Made”.
Bringing a make-believe world to life through stop-frame animation takes a large and talented team! See how all the pieces come together to make a stop-frame animation scene.
Puppet making made to make music.
Director interview with Shoko Hara. Film referenced in this interview: Shoko Hara – Just A Guy (2020).
Rosamund Pike, the voice for Moominmamma, and Taron Egerton, the voice for Moomintroll, tell Moomin.com what it’s like to give a voice to a character with such a strong, loving fanbase, and why they think so many people love the Moomin stories and the philosophy behind them.
Austrian animation director and media-artist Reinhold Bidner is working in the fields of animation, media art and games. In his Masterclass Encounters & Inbetweens, Reinhold talks about and discuss his artistic animated experiments in between various disciplines, formats and techniques. He will also present images and video excerpts. The session was moderated by Animatricks Creative Director Hämid Shajarian.
In this presentation, experimental animator Jon Gillie will discue his early work in moving image, using analogue and digital mediums. Illustrating with examples, he discussed some influences in his work, approaches to abstraction, and the importance of sketching.
Candaş Şişman, an artist who manipulates human perceptions using different disciplines, talks about his multi-sensory installations that appeal to different senses at the same time, and the production processes of his experience-centered projects.
Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
In this touching presentation, Pedersen describes the creative and visual processes behind three of his films produced by Mikrofilm: The folkloric anxiety of The Boyg (2016), The looping limbo of Zolle: Resign (2021) and the nuclear petri dish of Little Boy (2018).
In this MasterClass, the artist Aurora Gasull discussed her fascinating journey through what became known as Visual Music, abstract cinema, absolute cinema…; her personal motivations and tools at the beginning of this path, and their development until today, in chronological order.
Priit talks on the creation of his film HOTEL E (1992). How he got the idea, the structure of the film, filling the basic structure with events, solutions for style of animation and visual design as well as describe the work process. The master class is moderated by Ukrainian animation director Mykyta Lyskov.
Creative Europe Desks NL and Luxembourg, together with Kaboom Animation Festival, organized an interactive online session to learn all about the ins and outs of highly acclaimed European training initiatives The Animation Workshop, CEE Animation & La Poudrière. This recording of the Masterclass gives insights into how these programs tailored to the animation industry promote expertise and help you build and nurture a professional network across Europe.
The director interview with Natasha Cetner.