Punto y Raya FESTIVAL 2021 – Masterclass by Billy Roisz (AT)
Synopsis:
Billy Roisz is one of the best-known figures on the Austrian experimental scene. Her ability to translate experimental music into visual memory images is particularly noteworthy, revealing borrowings from minimal art and conceptual art. She specializes in feedback video and video/sound interaction by using monitors, cameras, video mixingdesks, a selfbuilt videosynth, computer, a bass guitar and sometimes turntables for video and sound generating.
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Music video for the band Radian.
- Music Videos
- Experimental
- Non-narrative
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Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies. Event was moderated by Paul Laverack.
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This lecture by Professor Maura McDonnell will give a light introduction to the emergence of visual music from early beginnings, through various technologies and mediums to present day practices.
- Documentary
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- Abstract
- Non-narrative
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In this webinar, award-winning stop-motion director Martin Smatana (The Kite, Berlinale 2019) will take you on a deep dive into the creative applications of artificial intelligence in animation. Known for his hands-on work with textile and paper, Martin will explore how AI can complement traditional artistry. He’ll showcase various tools such as Dall-E, and Runway, offering practical insights into how these technologies can aid in generating ideas, optimizing workflows, automating tasks, and enhancing creative processes. Whether you’re designing storyboards, generating visuals, or working on sound design, this session will give you concrete strategies to integrate AI into your animation projects, helping you streamline repetitive tasks while maintaining your unique artistic voice.
- Documentary
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Making of video the stop motion movie The Family Portrait directed by Lea Vidakovic.
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Daniel Beňovič is a 3D Animator & Technical Artist based in Slovakia, with background in motion graphics and animation, having created ads for major brands and television. His experience in animation has transitioned into the gaming industry, where he now focuses on enhancing rigging and animation at Nine Rocks Games. Utilizing skills in Autodesk Maya and scripting, Daniel contributes to the game Way of the Hunter.
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Masterclass by Vibeke Sørensen. Vibeke Sørensen is an artist and professor working in digital multimedia, animation, interactive architectural installation, physical computing, and networked visual music. Her creative work includes Illuminations (2013), a large scale illuminated folding screen, an interactive visual-music installation incorporating plant biofeedback, ubiquitous computing, and electro-acoustic music that she composed. Vishwaroop (2014) is a 4K generative dome animation with music by sitar virtuoso Kartik Seshadri, and Mood of the Planet (2015) is a kinetic light-sound sculpture incorporating global, real-time big data, Twitter, and music composed by Sørensen. Her work, Mayur (2015), with music by Kartik Seshadri, is a 4K animation inspired by Asian textiles, symbols, and cosmologies. She has produced wearable technologies incorporating biofeedback, abstract animation and music including Digital Amulet: Smart Necklace (2017), and her most recent installation Starlight (2021) is in collaboration with NTU physicists Prof Lock Yue Chew and Dr. Andri Pradana, as well as CSH Vienna / SFI Complexity Scientist Prof John Stephen Lansing. Starlight is an interactive installation that visualizes Quantum Entanglement using actual data from the Cosmic Bell Experiment. Her current research and creative work engages bio and eco-art/design, and at the Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford University it includes explorations of musical and calendrical polyrhythms from Bali to Kauai, and on the emergence of Jungian archetypes from dream networks.
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Interview with the director Anu-Laura Tuttelberg, interviewer Johanna Kristina Artjušin.
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Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.
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Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
- Documentary
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- Abstract
- Experimental
- Non-narrative
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Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.
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In this talk, Paul Prudence talked about his performance work, which focuses on ways in which sound and generative video can be cross-wired to create live visual-music experiences. He unravelled his process looking at the use of generative graphics combined with sound collage and field recordings to create narrative fictions from the materials of pure abstraction. He touched on his use of expanded projections systems, such as planetarium domes and large screen configurations, to create hypnotic and immersive live experiences.
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