Punto y Raya FESTIVAL 2021 – Masterclass by Billy Roisz (AT)

by Billy Roisz, Dieter Kovačič

Music video for the band Radian.

• Music Videos
• Experimental
• Non-narrative

Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies. Event was moderated by Paul Laverack.

• Making of

This lecture by Professor Maura McDonnell will give a light introduction to the emergence of visual music from early beginnings, through various technologies and mediums to present day practices.

• Documentary
• Making of
• Abstract
• Non-narrative

by Martin Smatana

In this webinar, award-winning stop-motion director Martin Smatana (The Kite, Berlinale 2019) will take you on a deep dive into the creative applications of artificial intelligence in animation. He'll showcase tools such as Dall-E and Runway, offering practical insights into how these technologies can aid in generating ideas, optimizing workflows, and enhancing the creative process while maintaining artistic integrity. Martin Smatana Graduate of Animation at FAMU Prague (1991, Slovakia). His debut movie "Rosso Papavero" (2015) premiered at Berlinale 2015 and won 15 international awards. Known for textile and paper animation techniques. His short "The Kite" premiered at Berlinale 2019. Pioneering AI integration in animation workflows. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

• Documentary
• Making of

Making of video the stop motion movie The Family Portrait directed by Lea Vidakovic.

• Making of

Masterclass by Vibeke Sørensen. Vibeke Sørensen is an artist and professor working in digital multimedia, animation, interactive architectural installation, physical computing, and networked visual music. Her creative work includes Illuminations (2013), a large scale illuminated folding screen, an interactive visual-music installation incorporating plant biofeedback, ubiquitous computing, and electro-acoustic music that she composed. Vishwaroop (2014) is a 4K generative dome animation with music by sitar virtuoso Kartik Seshadri, and Mood of the Planet (2015) is a kinetic light-sound sculpture incorporating global, real-time big data, Twitter, and music composed by Sørensen. Her work, Mayur (2015), with music by Kartik Seshadri, is a 4K animation inspired by Asian textiles, symbols, and cosmologies. She has produced wearable technologies incorporating biofeedback, abstract animation and music including Digital Amulet: Smart Necklace (2017), and her most recent installation Starlight (2021) is in collaboration with NTU physicists Prof Lock Yue Chew and Dr. Andri Pradana, as well as CSH Vienna / SFI Complexity Scientist Prof John Stephen Lansing. Starlight is an interactive installation that visualizes Quantum Entanglement using actual data from the Cosmic Bell Experiment. Her current research and creative work engages bio and eco-art/design, and at the Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford University it includes explorations of musical and calendrical polyrhythms from Bali to Kauai, and on the emergence of Jungian archetypes from dream networks.

• Making of

Interview with the director Anu-Laura Tuttelberg, interviewer Johanna Kristina Artjušin.

• Making of

Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.

• Making of

Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.

• Documentary
• Making of
• Abstract
• Experimental
• Non-narrative

Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.

• Making of

In this talk, Paul Prudence talked about his performance work, which focuses on ways in which sound and generative video can be cross-wired to create live visual-music experiences. He unravelled his process looking at the use of generative graphics combined with sound collage and field recordings to create narrative fictions from the materials of pure abstraction. He touched on his use of expanded projections systems, such as planetarium domes and large screen configurations, to create hypnotic and immersive live experiences.

• Making of

ROBOT DREAMS director/screenwriter/producer Pablo Berger discusses the film at the AMC Century City 15 in Los Angeles on Sunday, March 3, 2024. Video shot live on location, organized, assembled, written (via editing), & edited by TheMovieReport.com

• Making of