Animateka 2022 INTERVIEW: Boris Labbé
Synopsis:
Interviewed by Veronika Zakonjšek during the 19th edition of Animateka International Animated Film Festival.
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Interview with Boris Labbe.
- Film about animation
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Caroline Poggi and Jonathan Vinel explore the point of view of those marginalized by society and how they can find their place in the world.
- Non-narrative
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A conversation with Pritt Parn, a legendary Estonian animator, a recipient of the ASIFA Life Achievement Award, six-lifetime achievement awards from international festivals, and has had over 50 solo exhibitions in various European countries over the past 35 years.
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The interview with Yonak Kibreab, the voice of Elio in Pixar’s summer film.
- Making of
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Q&A with Gints Zilbalodis, director of FLOW, at Toronto International Film Festival.
- Making of
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Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies. Event was moderated by Paul Laverack.
- Making of
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Interview with the director Anu-Laura Tuttelberg, interviewer Johanna Kristina Artjušin.
- Making of
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Q&A with Gints Zilbalodis, director of FLOW, at Santa Barbara International Film Festival.
- Making of
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In this interview with Zsófi we are discussing about Dot and Line and the actual situation of Hungarian animation.
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An interview with artist-in-residence Gianluigi Toccafondo, who we were extremely happy to host in Ljubljana for the 20th edition of Animateka, since he was the winner of the 1st Grand Prix of Animateka back in 2004.
- Making of
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Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
- Documentary
- Making of
