Synopsis:
Q&A with Gints Zilbalodis, director of FLOW, at Toronto International Film Festival.
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A disproportionately low number of women are working behind the camera in film and TV, and the same can be said of the tech and gaming industries. Now that we have identified the problem, what is being done to effect change? These innovators will discuss pioneering efforts that are designed to level the playing field.
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Polish filmmaker Marta Pajek discusses the creative process for her award-winning trilogy, Impossible Figures and other stories, following the online release of the final film, a mysterious and haunting portrait of personal and societal self-destruction.
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The interview with Yonak Kibreab, the voice of Elio in Pixar’s summer film.
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Discover the making of the set of “Brunswick ST” from Adam Elliot’s heart-wrenching new film ‘Memoir of a Snail’.
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Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies. Event was moderated by Paul Laverack.
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This lecture by Professor Maura McDonnell will give a light introduction to the emergence of visual music from early beginnings, through various technologies and mediums to present day practices.
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- Non-narrative
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Making of video the stop motion movie The Family Portrait directed by Lea Vidakovic.
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Masterclass by Vibeke Sørensen. Vibeke Sørensen is an artist and professor working in digital multimedia, animation, interactive architectural installation, physical computing, and networked visual music. Her creative work includes Illuminations (2013), a large scale illuminated folding screen, an interactive visual-music installation incorporating plant biofeedback, ubiquitous computing, and electro-acoustic music that she composed. Vishwaroop (2014) is a 4K generative dome animation with music by sitar virtuoso Kartik Seshadri, and Mood of the Planet (2015) is a kinetic light-sound sculpture incorporating global, real-time big data, Twitter, and music composed by Sørensen. Her work, Mayur (2015), with music by Kartik Seshadri, is a 4K animation inspired by Asian textiles, symbols, and cosmologies. She has produced wearable technologies incorporating biofeedback, abstract animation and music including Digital Amulet: Smart Necklace (2017), and her most recent installation Starlight (2021) is in collaboration with NTU physicists Prof Lock Yue Chew and Dr. Andri Pradana, as well as CSH Vienna / SFI Complexity Scientist Prof John Stephen Lansing. Starlight is an interactive installation that visualizes Quantum Entanglement using actual data from the Cosmic Bell Experiment. Her current research and creative work engages bio and eco-art/design, and at the Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford University it includes explorations of musical and calendrical polyrhythms from Bali to Kauai, and on the emergence of Jungian archetypes from dream networks.
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Interview with the director Anu-Laura Tuttelberg, interviewer Johanna Kristina Artjušin.
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Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.
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Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
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- Experimental
- Non-narrative
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Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.
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