Synopsis:
Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies. Event was moderated by Paul Laverack.
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The interview with Yonak Kibreab, the voice of Elio in Pixar’s summer film.
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Q&A with Gints Zilbalodis, director of FLOW, at Santa Barbara International Film Festival.
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Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
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Go behind-the-scenes of Turning Red in this interview with Animation Supervisors, Aaron Hartline and Patty Kihm.
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Go behind-the-scenes of Turning Red in this interview with visual effects supervisor, Danielle Feinberg.
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Go behind-the-scenes of Turning Red in our interview with the production designer, Rona Liu.
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An insight into the question: “What Do Cinematographers Do On Animated Movies?”.
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Q&A with Gints Zilbalodis, director of FLOW, at Toronto International Film Festival.
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Interview with the director Anu-Laura Tuttelberg, interviewer Johanna Kristina Artjušin.
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An interview with artist-in-residence Gianluigi Toccafondo, who we were extremely happy to host in Ljubljana for the 20th edition of Animateka, since he was the winner of the 1st Grand Prix of Animateka back in 2004.
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Our first part of the lecture will focus on pioneers and experiments. We will also find out how Ukrainian animators in the 1920s made advertisements, propaganda, and children’s stories, sometimes even combining all of them in a single artwork. We will also discuss the problems that Ukrainian animation faced and how it bothered and threatened the Soviet government. In the second part of the lecture, we will talk about how and where the animated film heritage is preserved today. What is the size and significance of the animation collection kept at the Dovzhenko Centre.
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The interview with the directors Ala Nunu Leszynska & Nadja Andrasev.
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