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Director Don Hertzfeldt joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a discussion of his films ME and It’s Such a Beautiful Day. They discuss his time as a UCSB student and his early interest in animation, as well as the development of his new film. Hertzfeldt also shares insights into his influences from silent cinema, and his thematic interests in deep time and memory across his work.
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The interview with Yonak Kibreab, the voice of Elio in Pixar’s summer film.
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Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies. Event was moderated by Paul Laverack.
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ROBOT DREAMS director/screenwriter/producer Pablo Berger discusses the film at the AMC Century City 15 in Los Angeles on Sunday, March 3, 2024. Video shot live on location, organized, assembled, written (via editing), & edited by TheMovieReport.com
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Q&A with Gints Zilbalodis, director of FLOW, at Santa Barbara International Film Festival.
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Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
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Pixar provides their LIVE review of Pixar’s first teaser trailer for “Inside Out 2” on November 9, 2023.
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Go behind-the-scenes of Turning Red in this interview with Animation Supervisors, Aaron Hartline and Patty Kihm.
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Go behind-the-scenes of Turning Red in this interview with visual effects supervisor, Danielle Feinberg.
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Go behind-the-scenes of Turning Red in our interview with the director, Domee Shi, and producer, Lindsey Collins.
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Go behind-the-scenes of Turning Red in our interview with the production designer, Rona Liu.
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The new Netflix film, “Robin Robin, ” pushes the envelope of what’s possible with stop-motion animation. The film’s directors, Dan Ojari and Mikey Please, sit down with WIRED to go over the some of the techniques that went into the making of “Robin Robin.”
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An insight into the question: “What Do Cinematographers Do On Animated Movies?”.
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