A music video - Yellow Mellow: The Music That You Play.
- Music Videos
- Abstract
- Experimental
- Non-narrative
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A music video - Yellow Mellow: The Music That You Play.
People have the tendency to take whatever they want, regardless of the consequences. Maybe it’s without any bad intent, but unconsidered actions can lead to unexpected outcome. The short film Yachay– a Quechua word we could translate with “knowledge from the woods” – deals with the subject of being human.
A dialogue between two utopian thinkers sharing visions and recipes for a “better” tomorrow and contemplating the complexity of our universe.
Black Screen. A door opens. Light from the inside illuminates the silhouette of a man. He enters an empty, run-down room with yellowed wallpaper. The view outside the single window reveals a sparse tree in front of a desolate city. Suddenly the door closes shut barring the only way out.
SUNNY AFTERNOON is the confrontation of “kind of” an avantgardefilm with “kind of” a musicvideo, and consequently puts questions about the standard taboos and clichés of different film-“genres”. Both avantgardefilm and musicvideo use musicsound “typical for their genre”.
In a small atelier weird machines come to life inspired by passion and a peculiar atmosphere. Figures that reflect the unconscious states and conscious actions of the artist.
Music video for the band Radian.
Natural environment of Argentina. Hybrids composed of discarded refuse, insect wings, bones, hair and plant particles germinate within the nooks and crannies of rocks, tree hollows and cactus beds.
An old-fashioned world of grandeur transforms into a surreal dream. The only thing that still feels familiar is the human gesture.
Several patients are waiting in a doctor’s office to hear test results regarding their remaining lifetimes. However in most cases, the allotted time is not as long as they had hoped for.
A series of cinematic miniatures about the essence of music and the process of its reception. Music is first excreted, and then received. Sausage or spherical. The resulting sound is not the actual sound of the instruments shown, but the perceived timbre of abstract music representation.
If Viking Eggeling had been able to redo his well-known film entitled Symphonie Diagonale (1924) in high definition and 16:9 format 85 years after it premiered, the result might look something like Machination 84.
The phone rings. “Your food is ready, sir.”
Currents of electricity were analysed and introduced into a human host via electrodes. The visual material was then animated and mixed with M. Bense’s text Technical Existence (1949).
We are thrown into a quite complex and complicated world, and sometimes feel like puppets in an absurd system we don’t understand.
A lonely man, a cigarette, a hotel hallway – this is the setting for an ironic take on Sinatra lore. In I’m a Star! two related worlds come together: the comic strip Frankieboy by Stefan Stratil and Peter Friedrich, and the music of Louie Austen.
“How to Disappear” is an anti-war movie in the true sense of the word, searching for possibilities for peace in the most unlikely place of an online war game. It’s a tribute to disobedience and desertion – in both digital and physical-real warfare.
Employing the method of single frame editing, primarily focused on sound, the realistic film image transforms into a surreal, structuralist and finally even abstract film.
A mediation on bad luck. Two animated manifestations of one character’s interaction as he follows the maxim: Eat, drink and be merry, for tomorrow we die.