Synopsis:
Masterclass of Lea Vidakovic at ESAD.
- Year:
- 2021
- Country:
- Portugal
- Running time:
- 96 min.
- Original title:
- Masterclass Lea Vidakovic - ESAD
- Production type:
- Professional
- Production:
- Cinanima
- Distribution:
- Cinanima
- Genre:
- Making of
- Tag:
- Educational
- Audience:
- All audiences
- Language:
- English
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Animated Film Showcase & Q&A w/ Craig Kausen
2024 All audiences 60 min
Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies. Event was moderated by Paul Laverack.
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Colouring the Tones’ – Masterclass by Maura McDonnell
2024 16+ 40 min
This lecture by Professor Maura McDonnell will give a light introduction to the emergence of visual music from early beginnings, through various technologies and mediums to present day practices.
- Documentary
- Making of
- Abstract
- Non-narrative
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Making of – The Family Portrait by Lea Vidakovic
2024 All audiences 4 min
Making of video the stop motion movie The Family Portrait directed by Lea Vidakovic.
- Making of
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New Cosmogonies, New Technologies – Masterclass by Vibeke Sørensen (DK/US)
2024 All audiences 40 min
Masterclass by Vibeke Sørensen. Vibeke Sørensen is an artist and professor working in digital multimedia, animation, interactive architectural installation, physical computing, and networked visual music. Her creative work includes Illuminations (2013), a large scale illuminated folding screen, an interactive visual-music installation incorporating plant biofeedback, ubiquitous computing, and electro-acoustic music that she composed. Vishwaroop (2014) is a 4K generative dome animation with music by sitar virtuoso Kartik Seshadri, and Mood of the Planet (2015) is a kinetic light-sound sculpture incorporating global, real-time big data, Twitter, and music composed by Sørensen. Her work, Mayur (2015), with music by Kartik Seshadri, is a 4K animation inspired by Asian textiles, symbols, and cosmologies. She has produced wearable technologies incorporating biofeedback, abstract animation and music including Digital Amulet: Smart Necklace (2017), and her most recent installation Starlight (2021) is in collaboration with NTU physicists Prof Lock Yue Chew and Dr. Andri Pradana, as well as CSH Vienna / SFI Complexity Scientist Prof John Stephen Lansing. Starlight is an interactive installation that visualizes Quantum Entanglement using actual data from the Cosmic Bell Experiment. Her current research and creative work engages bio and eco-art/design, and at the Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford University it includes explorations of musical and calendrical polyrhythms from Bali to Kauai, and on the emergence of Jungian archetypes from dream networks.
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PÖFF TV | MEET THE FILMMAKERS – Anu-Laura Tuttelberg (“On Weary Wings Go By”) Interview
2024 All audiences 12 min
Interview with the director Anu-Laura Tuttelberg, interviewer Johanna Kristina Artjušin.
- Making of
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Punto y Raya Academy 2024 / Masterclass by Anna Carreras (ES)
2024 All audiences 48 min
Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.
- Making of
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Punto y Raya Academy 2024 / Masterclass by Blanca Rego (ES)
2024 16+ 44 min
Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
- Documentary
- Making of
- Abstract
- Experimental
- Non-narrative
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Punto y Raya Academy 2024 / Masterclass by Maura McDonnell
2024 All audiences 45 min
Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.
- Making of
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Punto y Raya Academy 2024 / Masterclass by Paul Prudence (UK)
2024 All audiences 70 min
In this talk, Paul Prudence talked about his performance work, which focuses on ways in which sound and generative video can be cross-wired to create live visual-music experiences. He unravelled his process looking at the use of generative graphics combined with sound collage and field recordings to create narrative fictions from the materials of pure abstraction. He touched on his use of expanded projections systems, such as planetarium domes and large screen configurations, to create hypnotic and immersive live experiences.
- Making of
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ROBOT DREAMS animated film Q&A with director Pablo Berger
2024 All audiences 28 min
ROBOT DREAMS director/screenwriter/producer Pablo Berger discusses the film at the AMC Century City 15 in Los Angeles on Sunday, March 3, 2024. Video shot live on location, organized, assembled, written (via editing), & edited by TheMovieReport.com
- Making of
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SBIFF Q&A FLOW with Gints Zilbalodis
2024 All audiences 26 min
Q&A with Gints Zilbalodis, director of FLOW, at Santa Barbara International Film Festival.
- Making of
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Storytelling for the Screen: An Afternoon with Don Hertzfeldt
2024 All audiences 57 min
Director Don Hertzfeldt joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a discussion of his films ME and It’s Such a Beautiful Day. They discuss his time as a UCSB student and his early interest in animation, as well as the development of his new film. Hertzfeldt also shares insights into his influences from silent cinema, and his thematic interests in deep time and memory across his work.
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