Synopsis:
Bill Plympton at LINOLEUM 2014.
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Joanna Quinn, whose acclaimed body of work includes the Oscar-nominated shorts Famous Fred, The Wife of Bath and her most recent film Affairs of the Art, speaks with Ben Mitchell of Skwigly Online Animation Magazine in an exclusive talk as part of the Linoleum Contemporary Animation and Media Art Festival. Having achieved major success at the very beginning of her career with her multi-award-winning debut film Girls Night Out, Joanna has since become an inspirational figurehead to many in the animation world through the work of her studio Beryl Productions. In this talk Joanna will offer unique insight into the highs and lows of industry success and how she has navigated the emotional pitfalls that come with it, from grappling with feelings of failure against high expectations, balancing personal projects and professional commissions, to dealing with imposter syndrome, burnout, staying motivated when life gets in the way and the challenges the younger generation face in the current social media climate and the pressures to succeed that come with it.
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The lecture covers animation in the context of new media and how it changes under the influence of other types of contemporary art, such as games, performance, installation. What kind of new animation tools emerged? How to use bugs and mistakes in search of innovation? How to use AI in contemporary animation?
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- Experimental
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Our first part of the lecture will focus on pioneers and experiments. We will also find out how Ukrainian animators in the 1920s made advertisements, propaganda, and children’s stories, sometimes even combining all of them in a single artwork. We will also discuss the problems that Ukrainian animation faced and how it bothered and threatened the Soviet government. In the second part of the lecture, we will talk about how and where the animated film heritage is preserved today. What is the size and significance of the animation collection kept at the Dovzhenko Centre.
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Priit talks on the creation of his film HOTEL E (1992). How he got the idea, the structure of the film, filling the basic structure with events, solutions for style of animation and visual design as well as describe the work process. The master class is moderated by Ukrainian animation director Mykyta Lyskov.
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- Non-narrative
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The festival’s creative director Hämid Shajarian interviews the participants of the National Competition category of Animatricks 2021: Tove Johnson – Jumalolento by Juho Maurinen (2019), Left Behind by Minna Eriksson (2020), Rinse and Shine by Iiris Korjus ja Katariina Haukka (2021), The Things I Saw: Monday by David Graham (2020), Bad to the boner by Robert Lönnqvist (2021), Tiedänkö mitä etsin by Ylva-Lii Wahlström (2019)
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The director interview with Natasha Cetner.
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Lorraine Lordan talks from Ireland on her international career in animation. She explains how she has been able to balance making a short film with lead roles on features, and shares what she has learnt along the way.
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On her Masterclass “Unsung Women Heros of Animation”, the well known Animation Journalist, Nancy Denney-Phelps reflects why there is so few women in the animation industry, even though almost 65% of all animation students are female and why we all know the Fleisher Brothers and Walt Disney, but with a few exceptions, the women who blazed the animation trail are almost unknown to us. Denney-Phelps is a distinguished animation journalist and a well-known guest in many Animation Festivals. She writes an animation blog to the Animation World Network – AWN.
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- Non-narrative
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Austrian animation director and media-artist Reinhold Bidner is working in the fields of animation, media art and games. In his Masterclass Encounters & Inbetweens, Reinhold talks about and discuss his artistic animated experiments in between various disciplines, formats and techniques. He will also present images and video excerpts. The session was moderated by Animatricks Creative Director Hämid Shajarian.
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Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
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Katariina Lillqvist is well known of her puppet animations. Her latest short animation Last Matador (2021) has just been released and will be seen in Animatricks 2021! In this masterclass Katariina will present her career, talk about puppet animation and about her study and work experience in Czech Republic.
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Join LALIFF and LatinX in Animation as we host LatinX short animation filmmakers from LALIFF Connect 2020. Moderated by Simón Wilches-Castro (Creative Director, Titmouse) and José Iñesta (CEO, Pixelatl), we will discuss the inspiration and structure behind the experimental animated shorts and explore the themes touched upon these shorts.
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