Synopsis:
Adam Elliot an Oscar winning and multi AFI (ACCTA) award winning filmmaker. Full length interview that didn’t air on television.
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The fourth installment in the beloved “Toy Story” franchise achieves a level of detail and realism unseen in any Disney/Pixar project yet. See how it all came to life at the legendary Pixar studios, step by step: beginning with the story and artwork stage, onto 3D computer modeling, shading and surfacing, layout, voice acting, character animation, simulation, lighting, effects, scoring, sound mixing, and the final render.
- Documentary
- Family
- Making of
- Adventure
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Randy Newman discusses diving back into the the toy-world for Toy Story 4. He also talks about and shares some lines from the original song, “I can’t let you throw yourself away” that he wrote for the film. Additionally, listen in as there are some recordings from the scoring sessions as well.
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You came for the zombies, but you stayed for the characters. ParaNorman, the second film from LAIKA Studios, is full of lovably unique characters whose distinctive stop-motion puppets were built by hand with belly-movers, metal armatures, guitar-tuning devices, and more.
- Documentary
- Making of
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Aardman Animations is a legendary animation studio that has created classics like ‘Wallace & Gromit’ and ‘Chicken Run.’ See how they put together their latest move, ‘Early Man.’
- Documentary
- Comedy
- Family
- Making of
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Walt Disney has always been mesmerizing us since childhood with unforgettable characters and movies. Animation is a tough job. This video shows how that was done, how 3D effect was created.
- Documentary
- Making of
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Oscars Animation Directors Roundtable: Don Hall of Big Hero 6; Chris Miller of The Lego Movie; Jorge Gutierrez of Book of Life; Graham Annable of Boxtrolls; and Dean DeBlois of How to Train a Dragon. They offer an insider’s look into the world of animation, including what it’s like to pitch their stories, to overcome challenges and to collaborate with actors in the booth.
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The interview with Yonak Kibreab, the voice of Elio in Pixar’s summer film.
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Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies. Event was moderated by Paul Laverack.
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ROBOT DREAMS director/screenwriter/producer Pablo Berger discusses the film at the AMC Century City 15 in Los Angeles on Sunday, March 3, 2024. Video shot live on location, organized, assembled, written (via editing), & edited by TheMovieReport.com
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Q&A with Gints Zilbalodis, director of FLOW, at Santa Barbara International Film Festival.
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Director Don Hertzfeldt joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a discussion of his films ME and It’s Such a Beautiful Day. They discuss his time as a UCSB student and his early interest in animation, as well as the development of his new film. Hertzfeldt also shares insights into his influences from silent cinema, and his thematic interests in deep time and memory across his work.
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Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
- Documentary
- Making of