2024

In this talk, Paul Prudence talked about his performance work, which focuses on ways in which sound and generative video can be cross-wired to create live visual-music experiences. He unravelled his process looking at the use of generative graphics combined with sound collage and field recordings to create narrative fictions from the materials of pure abstraction. He touched on his use of expanded projections systems, such as planetarium domes and large screen configurations, to create hypnotic and immersive live experiences.

• Making of

Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.

• Making of

Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.

• Documentary
• Making of
• Abstract
• Experimental
• Non-narrative

Candaş Şişman, an artist who manipulates human perceptions using different disciplines, talks about his multi-sensory installations that appeal to different senses at the same time, and the production processes of his experience-centered projects.

• Documentary
• Making of
• Abstract
• Experimental

In this presentation, experimental animator Jon Gillie will discue his early work in moving image, using analogue and digital mediums. Illustrating with examples, he discussed some influences in his work, approaches to abstraction, and the importance of sketching.

• Documentary
• Making of
• Abstract
• Experimental

Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.

• Making of

Interview with the director Anu-Laura Tuttelberg, interviewer Johanna Kristina Artjušin.

• Making of

by Jan Diviš

The student festival jingles for Anifilm 2024.

• Comedy
• Experimental
• Non-narrative

by Filip Diviak

PF 2024!

• Non-narrative
• Fantasy

Masterclass by Vibeke Sørensen. Vibeke Sørensen is an artist and professor working in digital multimedia, animation, interactive architectural installation, physical computing, and networked visual music. Her creative work includes Illuminations (2013), a large scale illuminated folding screen, an interactive visual-music installation incorporating plant biofeedback, ubiquitous computing, and electro-acoustic music that she composed. Vishwaroop (2014) is a 4K generative dome animation with music by sitar virtuoso Kartik Seshadri, and Mood of the Planet (2015) is a kinetic light-sound sculpture incorporating global, real-time big data, Twitter, and music composed by Sørensen. Her work, Mayur (2015), with music by Kartik Seshadri, is a 4K animation inspired by Asian textiles, symbols, and cosmologies. She has produced wearable technologies incorporating biofeedback, abstract animation and music including Digital Amulet: Smart Necklace (2017), and her most recent installation Starlight (2021) is in collaboration with NTU physicists Prof Lock Yue Chew and Dr. Andri Pradana, as well as CSH Vienna / SFI Complexity Scientist Prof John Stephen Lansing. Starlight is an interactive installation that visualizes Quantum Entanglement using actual data from the Cosmic Bell Experiment. Her current research and creative work engages bio and eco-art/design, and at the Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford University it includes explorations of musical and calendrical polyrhythms from Bali to Kauai, and on the emergence of Jungian archetypes from dream networks.

• Making of

by Géza M.Tóth

The protagonist of the series is a single piece of curious, playful matchstick. Each episode starts the same way: the main character, the blue headed matchstick matchstick pops out of the box. At the end of each story, he jumps back into the empty box. The series is aimed primarily at the teenage age group. Young people’s curiosity, courage and openness are reflected in the way the protagonist steps out of his safety and explores the world around him. The humour of the episodes is not only in the unexpected twists and turns in the stories, but also in the fact that each episode is like a puzzle game. The audience is constantly having to guess what situation the matches represent.

by Marie Royer, Zinia Scorier

Through audio recordings taken in the field and poetic moving images, the film portrays activists who use food as a tool in their anti-consumerist struggle.

• Drama
• Experimental
• Non-narrative

by Daniel Beňovič

Daniel Beňovič is a 3D Animator & Technical Artist based in Slovakia, with background in motion graphics and animation, having created ads for major brands and television. His experience in animation has transitioned into the gaming industry, where he now focuses on enhancing rigging and animation at Nine Rocks Games. Utilizing skills in Autodesk Maya and scripting, Daniel contributes to the game Way of the Hunter.

• Making of

by Géza M.Tóth

A trailer for Matches.

by Jan B. Piskač

Frantisek is in burning love with his classmate Marie.

• Romance

Making of video the stop motion movie The Family Portrait directed by Lea Vidakovic.

• Making of

by Flora Anna Buda

Flora Anna Buda, the director of 27, the multi-award-winning film, gives us a behind-the-scenes look at the making of the film. 27 won many awards including the Palme d’Or for a short film at the Festival de Cannes and the Cristal for best animated short at the Annecy Film Festival.

• Drama
• Coming-of-Age
• Experimental
• Making of

by Emmanuelle Mohnblatt, Marie Deboissy, Sébastien Kirszenblat

Henry meanders through Wyrmlands, the remains of England consumed by the giant worm of capitalism. Amidst his despair, he recalls an act of kindness. As a child, innocent and loving, he saved an injured worm. Perhaps salvation is possible if he can reconnect with his inner child.

• Drama
• Music Videos
• Tragedy
• Fantasy
• Experimental
• Non-narrative

by Jan Piskač

The year is 2148. The trees have long since burned down and the shadows of the rocks have become a refuge for all the surviving animals. Boris the bear is no exception, as he leaves his hiding place because of sensational tourists. However, his desperate escape unexpectedly turns into a heartbreaking bear romance.

by Gianluigi Toccafondo

At the heart of the sea bed, between rocks and corals, primitive algae undulate, lulled by the muffled and roaring sound of the currents. Up there, on the surface of the water, something extraordinary has just appeared: a voice. So soft and seductive that it is unlike anything we have ever heard before.