Year

2024

1–20 of 95 films

  • by Mascha Halberstad, Lea Pagáčová

    Dutch director Mascha Halberstad will take us behind the scenes of her stop-motion work for children. She will focus primarily on her feature-length animated films – Oink (2022) and Fox and Hare Save the Forest (2024), which premiered at this year's Berlinale in the Berlinale Generation competition section. Mascha Halberstad Dutch animation director. Studied at ArtEZ Art Academy in Arnhem. Created the 3-part series "Picknick with Cake" (awarded Cinekid Kinderkast 2013). Her film "Munya in Me" won Grand Jury Prize at BANFF. Directed "Fox & Hare" series (Cinekid Audience Award). Feature debut "Oink" (2022) premiered at Berlinale Generation, won three Golden Calves at Dutch Film Festival 2024. "Fox and Hare Save the Forest" premiered at Berlinale 2024. Lea Pagáčová (National Film Center of the Slovak Film Institute) Graduated from Audiovisual Studies at the Faculty of Film and TV, the Academy of Performing Arts in Bratislava. Writes and edits texts about films. Participates in distribution and film education projects. Coordinator for CEE Animation Forum. Works at the National Film Center of the Slovak Film Institute, focusing on presentation of Slovak cinema locally and globally. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • ZubrOFFka 18

    2024 Adults 1 min

    by Sander Joon

    Trailer for ZubrOFFka 18 created by Estonian animator Sander Joon.

    • No genre
  • Pubert Jimbob

    2024 Late Adolescence (16-20 yrs) 15 min

    by Quirijn Dees

    Pubert Jimbob enters a strange reality after getting lured away from his home by an enigmatic figure, who throws him a lighter at his doorstep. A car crash leads to Jimbob meeting Nadine who he brings to a hospital.

    • Experimental
  • Yapolaponky

    2024 Late Adolescence (16-20 yrs) 6 min

    by Kihara Masataka

    A strange interaction between a wandering man and a mysterious creature, Yapolaponky.

    • Drama
  • Jean and Jeanne

    2024 Late Adolescence (16-20 yrs) 7 min

    by Thanys Martin

    Jeanne and Jean Jean is a funny and offbeat animated short film by Thanys Martin, created at Atelier de Sèvres. Blending romantic comedy, absurd humor and a sharp look at consumer society, the film follows a couple caught between love, doubt and the strange emotional pressure of choosing furniture together.

    • Drama
  • little british orphan

    2024 Adults 1 min

    by Joe Kady

    Explore the heartwarming journey of a little British orphan with Mummy Joe, filled with resilience and hope in this charming animation.

    • Tragicomedy
  • Spot Fest Anča 2024 — NIGHTMARE

    2024 All audiences 1 min

    by Marek Menke

    An official spot for the 17th International Animation Festival 𝑭𝒆𝒔𝒕 𝑨𝒏𝒄̌𝒂, which took place from 25th to 30th June 2024 in Žilina, Slovakia.

    • Non-narrative
    • Experimental
  • by Evan Chester

    This video serves as a beginner’s guide to the very famous and influential Czech animator Jiří Trnka. His films include The Hand, The Czech Year, A Midsummer Night’s Dream, Old Czech Legends, and Cybernetic Grandma.

    • Film about animation
  • by Amy Kravitz

    In this presentation, experimental animator and educator Amy Kravitz discussed the process of creating, embracing, fragmenting, abandoning, shattering, and obscuring narratives to find what feels genuine and truthful.

    • Film about animation
  • by Nick Park

    Aardman mainstays Nick Park and Merlin Crossingham visit BFI Southbank to talk about their work, including the new Wallace & Gromit adventure Vengeance Most Fowl. Four-time Oscar-winner Nick Park created the characters Wallace and Gromit at film school. He would go on to direct Creature Comforts, Early Man and, with Peter Lord, Chicken Run. He is a director of Aardman Animations and one the world’s leading stop-motion animators and filmmakers. The multi-talented Merlin Crossingham has worked on many of Aardman’s greatest films and is Creative Director of Wallace and Gromit at Aardman. He is also the director, with Nick Park, of the forthcoming Wallace and Gromit adventure Vengeance Most Fowl. They will discuss their careers at Aardman and share their insights into this glorious form of animation.

    • Film about animation
  • Maya, Give Me a Title

    2024 All audiences 61 min

    by Michel Gondry

    A father and daughter maintain their bond despite living in different countries through an imaginative nightly ritual where she suggests a title and he creates short animated films starring her as the hero.

    • Family
  • Coda

    2024 Adults 5 min

    by Thor Sivertsen

    The Norwegian director’s abstract animation works with floating and unstable organic shapes. Constantly moving, they create entirely new forms. The film’s plasmatic structure unusually combines digital images with natural motifs and conveys feelings of cold and warmth.

    • Experimental
  • Parmelia

    2024 Adults 2 min

    by Tereza Burianová

    Were we equals, or were some of us just using others? This non-narrative film explores the possibilities of textile materials and techniques in conjunction with the moving image. A musical composition by the artistic duo Nadváha is stitched by the repetitive sound of a sewing machine.

    • Non-narrative
  • by Evan Chester

    This video serves as beginner’s guide to the world of Czechoslovakian animation. I discuss filmmakers such as Jiří Barta, Jan Švankmajer, Jiří Trnka, and Karel Zeman.

  • by Steven Subotnick

    My films are abstract in the way that I use improvisation, intuition, and experimentation as methods of development. But my films are also emotional responses to ideas, materials, images, and sounds. In that sense, even my most visually abstract films have a human presence in them'.