This clip is taken from a 1938 short called “How Walt Disney Cartoons Are Made”.
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Educational
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It is about sex from a woman’s point of view. Explicit and educational.
- Comedy
- Experimental
- Abstract
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Director Don Hertzfeldt joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a discussion of his films ME and It’s Such a Beautiful Day. They discuss his time as a UCSB student and his early interest in animation, as well as the development of his new film. Hertzfeldt also shares insights into his influences from silent cinema, and his thematic interests in deep time and memory across his work.
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AnimatekaPRO is the Animateka festival platform for animation professionals and students. It was conceived as a place where one can learn about the latest trends, be updated on the latest developments, and meet exciting film professionals while exploring the fantastic world of animated film. As a part of AnimatekaPRO, for the fourth consecutive year, the AnimatekaPRO Pitch competition for projects in development will give an insight into the state of animation in ex-Yugoslav countries.
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The topic of this lecture is to provoke the audience into being more sensitive to their everyday surroundings and to take note of precious material for their work (in any form) in small, rarely noticed phenomena, situations, objects, and movements. Ideas are not far from us. We often just need to change the angle from which we are looking at apparently mundane things. In addition, I will suggest a few games that could become ways of turning the slow and sometimes overwhelming process of animation (frame by frame by frame after one more frame…) into something more playful, even adventurous.
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Film Sierra premiered at Clermont-Ferrand. Here’s a little compilation of what was going on.
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Behind the scenes of short film SIERRA.
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Until yesterday, it never occurred to the three birds to look at the world around them, but today, when they heard certain voices for the first time, they decided to do something significant…
- Educational
- Experimental
- Non-narrative
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Q&A with Gints Zilbalodis, director of FLOW, at Santa Barbara International Film Festival.
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ROBOT DREAMS director/screenwriter/producer Pablo Berger discusses the film at the AMC Century City 15 in Los Angeles on Sunday, March 3, 2024. Video shot live on location, organized, assembled, written (via editing), & edited by TheMovieReport.com
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This is a 2D animated online series for children, created with the Bratislava Policy Institute as part of the Rayuela project to explain online safety. Set in an 8-bit game world and led by two fox heroes, it covers topics like cyberbullying, online harassment, and misinformation.
- Family
- Adventure
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This is a 2D animated online series for children, created with the Bratislava Policy Institute as part of the Rayuela project to explain online safety. Set in an 8-bit game world and led by two fox heroes, it covers topics like cyberbullying, online harassment, and misinformation.
- Family
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An insight into the question: “What Do Cinematographers Do On Animated Movies?”.
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In this talk, Paul Prudence talked about his performance work, which focuses on ways in which sound and generative video can be cross-wired to create live visual-music experiences. He unravelled his process looking at the use of generative graphics combined with sound collage and field recordings to create narrative fictions from the materials of pure abstraction. He touched on his use of expanded projections systems, such as planetarium domes and large screen configurations, to create hypnotic and immersive live experiences.
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MASTERCLASS – ARCHITECTURAL FRACTALS by JULIUS HORSTHUIS (NL). “I’ll take the audience through some of the fractal landscapes. We will look at some of the characteristic features of those fractals, almost like we’re watching architectural facets. What creates those features? What is it about fractal math that makes it so engaging? What else is there to explore?” – Julius Horsthuis
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Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.
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Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
- Documentary
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- Abstract
- Experimental
- Non-narrative
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Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.
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MASTERCLASS – THE PLEASURE OF MOVEMENT. Wrangling an Infant Technology by JOSÉ-MANUEL XAVIER (PT), with the kind translation of SANDRA RAMOS. “The pleasure of movement is what I feel when I bring strokes, lines, and dots to life. My work method is identical to my way of walking through nature. I advance, step by step, through unexpected paths to discover the unimaginable.”
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