Birdboy: The Forgotten Children
Synopsis:
Birdboy: The Forgotten Children (Spanish: Psiconautas, los niños olvidados; festival title: Psychonauts, the Forgotten Children) is a 2015 Spanish animated drama-horror coming-of-age film written and directed by Alberto Vázquez and Pedro Rivero, based on the comic Psiconautas by Vázquez. It is the follow-up to the pair’s short film Birdboy, following the titular character, a shy outcast in a post-apocalyptic society, and Dinky, a 14 year old mouse runaway fleeing her desolate island home.
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For ages, teddy bears have been locked in a war against their sworn enemy, the unicorns, with the promise that victory will usher in a new era. A beautifully animated journey from the humiliations of teddy bear bootcamp to the psychedelic horrors of the Magic Forest.
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The film follows a boy who parachutes onto land, where he finds a motorbike and an injured bird. With these, he sets off to reach an initially unknown goal, pursued by a shadowy giant monster, which drains life from every living being that crosses its path.
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I Lost My Body (French: J’ai perdu mon corps) is a 2019 French adult animated film directed by Jérémy Clapin. It premiered in the International Critics’ Week section at the 2019 Cannes Film Festival, [4] where it won the Nespresso Grand Prize, becoming the first animated film to do so in the section’s history. The film was nominated for Best Animated Feature at the 92nd Academy Awards.
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Croatia, 7th of January 1992: In the middle of the war a young journalists’ body is being found dressed with an uniform of the international mercenary group. 19 years later, his cousin Anja Kofmel detects his story.
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A psychiatrist with a roster of criminal patients has strange demons he needs to exorcise.
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Based on a true story from the creator of The Snowman, Ethel & Ernest is a humorous and heartfelt tribute to an ordinary couple and an extraordinary generation.
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A man is shipwrecked on a deserted island and encounters a red turtle, which changes his life.
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It’s 1941 but France is trapped in the nineteenth century, governed by steam and Napoleon V, where scientists vanish mysteriously. Avril, a teenage girl, goes in search of her missing scientist parents.
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In hard times, a miller sells his daughter to the Devil. Protected by her purity, she escapes but is deprived of her hands. Walking away from her family, she encounters the goddess of water, a gentle gardener and the prince in his castle. A long journey towards the light…
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Window Horses: The Poetic Persian Epiphany of Rosie Ming is a 2016 Canadian animated feature film written and directed by Ann Marie Fleming (sometimes stylized with the title in parentheses or written as Window Horses without a subtitle), and a graphic novel by Fleming, Window Horses: The Poetic Epiphany of Rosie Ming. Funding for the film was raised through an Indiegogo campaign, which amassed more than $80, 000 in 50 days, from 730 contributors in 28 countries. The film was co-produced by Fleming’s Stickgirl Productions, Sandra Oh and the National Film Board of Canada.
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In a wonderfully sweet yet poignant story, Louise, an old lady, finds herself stranded in a seaside resort after the last train of the holiday season has left the station. But far from panicking, the fearless Louise decides to stay, no matter what awaits her.
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While pursuing an investigation police officer Alex is injured by a mysterious character with a disfigured face. Stuck in hospital, he meets Léo, an eleven-year-old patient who has the ability to leave his body at will. The boy can fly and pass through walls like a phantom, invisible to all. Thanks to Léo, Alex, along with the intrepid journalist Marie, can assume the roles of guardian angels. The disfigured gangster is threatening the city. Although the policeman is stuck in his wheelchair, the boy can go anywhere he chooses. Alex can continue his investigation, with Léo acting as his eyes and legs.