Technique

Making-of

41–60 of 129 films

  • by Niki Lindroth von Bahr, Jay Clarke

    If patience is a virtue, animation filmmakers are particularly worthy of our admiration. Follow two seasoned practitioners as they guide us through the arresting world of stopmotion animation. A cherished collaborator of Wes Anderson, Jay Clarke ("Isle of Dogs") awakens us to the power of storyboarding, namely to enable a film crew to see a story before they shoot it. A creator of fable-like creatures, Swedish director Niki Lindroth von Bahr ("Something to Remember", Generation 2020) highlights hidden aspects of this timeconsuming yet tender filmmaking technique by sharing excerpts from works in progress and placing her singing snails and other puppets centre stage. Moderated by Andrew Amondson.

    • Film about animation
  • by Steven Woloshen

    For more than 30 years, Steven Woloshen has passionately created over 50 award-winning, abstract films and installations for festivals, galleries and museums. Twice nominated for Canada's Governor General's award, he has received numerous research and creation grants and, most recently, was awarded the 2016 René Jodoin lifetime achievement award, and the 2015 Wiesbaden Lifetime Achievement Award.

    • Film about animation
  • by Ádám Felszeghy, Barbara Sigmundová

    Hungarian producer Ádám Felszeghy will take us behind the scenes of the animated documentary Pelikan Blue (2023). He will share insights into its development, production process, and the challenges the team faced. The masterclass will explore the creative and technical solutions used, from animatic to final post-production, revealing how the film evolved from concept to completion. Ádám Felszeghy (ULab) Hungarian producer at ULab (powered by Umbrella). Produces feature films, documentaries, shorts and animation. Barbara Sigmundová Slovak co-host and moderator for CEE Animation Experience. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Sepideh Farsi, Tomas Danay, Juraj Krasnohorsky

    Masterclass will focus on the production of the film THE SIREN and a description of using the Motion Capture Technology. The focus of this masterclass will be on the feature-length animated film THE SIREN, on which a large part of the animation of the 3D characters was realised using Motion Capture technology through the Slovak company Artichoke and the animation studio Blue Faces. This is the first ever project of this size to be realised using this technology in Slovakia. Sepideh Farsi Born in Tehran, later moved to Paris where she studied mathematics but soon began filmmaking. After several short films, directed documentary "Homi D. Sethna, Filmmaker" which won several awards. Documentaries "Harat" and "Tehran Without Permission" premiered in Locarno. Feature films "Dreams of Dust" and "The Gaze" screened at Rotterdam. "The House Under the Water" won NETPAC Award. Latest film "The Siren" had world premiere at Berlinale. Tomas Danay (Blue Faces) Graduated in animation at the Film and Television Faculty of the Academy of Performing Arts (VŠMU). Main animator at Blue Faces studio. Worked on many foreign films (Green Hornet, Xibalba, Asura) and games (NBA 2k16, Shadows: Awakening), as well as commercials and music videos (Lil Dicky – Pillow Talking). Teaches computer animation at VŠMU, programme director of Festival BAB (Bratislava Animation Biennial). Juraj Krasnohorsky (Artichoke) Producer based in Bratislava. With Henrieta Tsvangová founded Artichoke (2010), producing fiction and animated films. Co-produced short "Superbia" (2016) which premiered at Semaine de la Critique in Cannes. Co-producing "White Plastic Sky" and stop-motion feature "Of Unwanted Things and People". EAVE graduate, member of Slovak Association of Animated Film Producers, board member of VAF, initiator/co-organizer of CEE Animation Workshop. Head of studies for CEE Animation Workshop. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Susanne Freese, Anna Vášová, Katarina Kerekesova

    What made a German distributor pick an Eastern European IP? What does it take to successfully pitch to German decision makers and to what extent can it serve as entry point to the wider European market? Susanne Freese (OneGate Media) Senior Manager Kids & Family at OneGate Media (formerly Studio Hamburg Enterprises) since 1998. Oversees licensing/co-financing of feature films, series and animation. Works closely with NDR, ARD stations and Kika. Also responsible for programme acquisition for national and international TV/VOD/DVD distribution. Anna Vášová (13ka) Started as a script executive for Czech TV. Lectured at the Academy of Performing Arts. Headed the script department at Czech TV. Founded 13ka production company focusing on auteur-driven films. Katarina Kerekesova (Fool Moon) Completed studies at Animation Film Department of VŠMU Bratislava. Founded Fool Moon (2009). Director and producer of Slovak TV series "Mimi and Lisa" and "The Websters". Executive Director of Slovak Association of Animated Film Producers. Lecturer at Animation Film Department in Bratislava. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Zsuzsanna Kreif

    Starting out as a director after graduation, developing your own projects is not a smooth process anymore. Zsuzsanna shares her experience about the development attempts of Dino Doom on Desert Planet, discussing the various development stages, pitch forums, residencies abroad, and balancing applied work with own creative projects. Zsuzsanna Kreif Freelance animation director and illustrator based in Budapest. MOME graduate. First film "Limbo-Limbo Travel" (co-directed with Bori Zétényi) was selected to Sundance, Annecy, Clermont-Ferrand and was Oscar-eligible in 2016. Directed 13-episode satirical TV series "Candide" (2015-2018). Currently developing new personal projects and teaching at MOME. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Lucija Smodiš, Petra Gajžler

    This webinar examines how animated films can be curated for young audiences through pedagogical exhibition, school-oriented distribution, and structured educational activities. They explore how guided tours, moderated screenings, contextual discussions, and creative workshops can enrich learning and deepen children's engagement with animation. Lucija Smodiš (StopTrik IFF) Curator and producer in contemporary art and animation. Initiator, programme collaborator and producer of StopTrik International Film Festival (Maribor/Lodz). Program director of GuestRoomMaribor residency (2014–2024). At DSAF establishing international artist-in-residency programme for animators. Petra Gajžler Film pedagogue, curator and distribution manager. Coordinates school screenings and develops educational materials for animated films. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • Producer, percussionist, and composer Samuli Kosminen shows us some of the rather unusual instruments used on the Moominvalley score – featuring dried chilies, design chairs, and jawbones of sheep, among other things.

    • Documentary
    • Making of
  • Walt Disney has always been mesmerizing us since childhood with unforgettable characters and movies. Animation is a tough job. This video shows how that was done, how 3D effect was created.

    • Documentary
    • Making of
  • Turning Red – Live Movie Review

    2022 All audiences 116 min

    The full review (note – spoilers will be discussed) and break down all of the details from Turning Red. We discuss the story, the characters, the music and, of course, dive into the many Easter Eggs we’ve spotted. Join us to chat along and share your thoughts with us! We’ll have some special guests as always (joining us this time are Drew Taylor, along with our regular pals Gio, and Paulina).

    • Comedy
    • Coming-of-Age
    • Family
    • Making of
  • by Shelley Hoffman, David Toušek

    Gemini Award-winning writer Shelley Hoffman developed and showran "Kid vs. Kat" and "Camp Lakebottom", collaborating with broadcasters and production teams worldwide. Shelley Hoffman Gemini Award-winning writer, one of Canada's most in demand animation creative writers with international experience at all age levels. Together with Robert Pincombe she created "Kid vs. Kat" and "Camp Lakebottom". 40+ years in animation. David Toušek (ANOMALIA) More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Olga Poliektova, Tatiana Poliektova

    The Poliektova sisters speak about transforming the initial idea of a story into a film, about the process of initial artwork, visuals and storyboarding. Their film "My Grandfather Was a Cherry Tree" was Oscar nominated. Olga Poliektova Twin sister with Tatiana. Born in St-Petersburg, Russia. Graduated from art school and animation/computer graphics from University of Cinema and Television. Work as film director duo and animators. Over the years made several short animation films, participating in 300 festivals worldwide, earning over 60 awards. "My Grandfather Was a Cherry Tree" was Oscar nominated (Best Short Animation Film long list). Tatiana Poliektova (see Olga above — identical background, work as twin duo) More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • The Animation Process From 1938

    1938 All audiences 5 min

    This clip is taken from a 1938 short called “How Walt Disney Cartoons Are Made”.

    • Documentary
    • Making of
  • Bringing a make-believe world to life through stop-frame animation takes a large and talented team! See how all the pieces come together to make a stop-frame animation scene.

    • Documentary
    • Making of
    • Family
  • by Jan Bubeníček, Jan Kurka

    The feature-length animated film "Even Mice Belong to Heaven" (dir. Jan Bubeníček, Denisa Grimmová), created with puppet technology, had its world premiere at the Annecy International Animated Film Festival. Our webinar will take a look behind the scenes of the film's production, following the journey from the artistic design of an object or space to its actual realization, including the production of the puppet part of the film, its artistic and technological concept, the preparatory work in the studios, and the filming, followed by a presentation focused on the combination of puppet film with elements of computer graphics. Jan Bubeníček Graduate of Department of Animation at FAMU. Director of animation studio Eallin. Worked at UPP as head of 3D department and VFX supervisor. Forms directing duo with Denisa Grimmová. Curator of exhibition Worlds of Czech Animation. Filmography includes shorts "Na draka", "Hurrrááá na pinceznu!!!", "Ludvík's Patrol", "Three Foos", "Pirate", "Death Stories" and feature "Mice Belong to Heaven" (2021). Jan Kurka (Magiclab) Graphic designer with nearly fifteen years of experience in film post-production. Currently working as DMP (matte painting) supervisor at Magiclab post-production studio. Worked on Czech and foreign films such as The Angry Man, Aladdin, Masaryk, Without a Trace, The Clockmaker's Apprentice, The Last Race and Mice Belong to Heaven. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • Stems

    2016 All audiences 3 min

    by Ainslie Henderson

    Puppet making made to make music.

    • Drama
    • Experimental
    • Making of
    • Non-narrative
  • by Miloš Tomić

    The topic of this lecture is to provoke the audience into being more sensitive to their everyday surroundings and to take note of precious material for their work in any form. Ideas are not far from us. Miloš Tomić Lecturer from Serbia focused on creativity, finding inspiration in everyday surroundings and staying sensitive to the everyday world as source material for creative work. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of