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Movie Force Of Attraction is parodying persistent stereotypes about Russians and Americans. Author used live-action movie storytelling method and traditional cultural elements. The movie is also using a lot of gags intended for adult audience. This movie was made in digital paper cut-out animation technique and visual was made in traditional artistic way.
On the one hand it’s dirty work and on the other hand gorgeous product. This is a film about making food and consuming it. The producing part itself is not always as clean as we hope, yet we turn the blind eye as long as the end product looks desirable enough. The film plays with the fantasy of making food and about the satisfaction we get when having delicious products.
A man makes a delicious sandwich for his loving wife.
Short stop motion film about different kinds of food. Story of food in three acts.
FOOD is an animated documentary that features interviews with a wide variety of eaters from around the world. Ranging from vegetarians, vegans, pescetarians to some seriously dedicated carnivores, the conversation raises many substantial issues about the environment and modern life. By pairing real interviews with stop-motion animation, the film presents a group of “edible characters” discussing themselves.
Two characters meet and confront each other in a merciless battle. The story is revealed through a profusion of black and white drawings, evoking an etching in perpetual movement. Brief gestures are repeated in loops, to the point of exhaustion. Obsessive and hypnotic.
An essay about the constant flows of life, a self-portrait of its own process, an improvise on Bach, an investigation on plasticine.
The protagonist is a Miller living in a watermill. He bakes daily bread and raises ducklings whom he wishes one day to set free. But on the field next to his home, hunters go to shoot birds.
The Arcadian atmosphere of a hazy underworld hosts unusual characters: an Illusionist, a Civil Entity, a Wooden Puppet and a silent, but dangerous Swordsmen. Their mysterious experiences are an allegory of the relationship between the now extinct tradition of European combat swordsmanship and the doctrine of pragmatic political action. Is the end of the allegory also a beginning of an instructive misunderstanding? The film is inspired by the motifs from the books Flower of Battle (1410) by Fiore dei Liberi and A Dialogue in Hell between Machiavelli and Montesquieu (1864) by Maurice Joly.
A lonely white flower grows surrounded by other plants and struggls every day to survive.
Every morning, a bearded man must complete a strange and difficult ritual to prepare himself for the day ahead.
In an ordinary building, life goes on like in a beehive. Suddenly the geometry is broken by a leap into the void.
Being a poetic experience, the film unfolds a plant fresco at the edge of intimacy and fantasy, where the eye, like the one spread by the butterfly, wanders from specimen to specimen. In the garden of a dream, the living metamorphoses and beings unveil.
A dirty lake bursts its banks and begins to flood the town. At last there’s a good reason to keep the son at home. But in isolation, nightmarish associations start to mix with reality.
On the cruise that he was supposed to take his annual break from life, Jadran experienced a tragic shipwreck during which he lost consciousness. Wake up in the middle of the ocean, all alone.
A story about an encounter between two individuals in an imaginary world – the Puppeteer and the Creature. The Puppeteer bides his time on his planet, longing for company. When a guest finally arrives, the Puppeteer expresses his happiness in many ways.
The music video for the song “I COULD NEVER LIVE WITHOUT YOU BY MY SIDE” by the Berlin based techno group FJAAK tells the story of one night in a Berlin techno club. Two lovers go on a drug induced trip with a fatal ending. During this trip they meander through different surreal spaces of their shared past and their distorted memories of those events.
The music video for the song “Snow” by the Berlin based techno group FJAAK tells the story of a character following an inner calling. He meets his companion and she takes him on a spiritual journey of partnership, love, pain, destruction, growth and rebirth. Through this journey we experience a fragmented narrative shaped by surreal sceneries and anthropomorphic transformations.
This biblical-like story of human civilization needs to be judged as a theatrical and symbolic (even sometimes static) account of what can haunt our communal harmony.
Jude and Ruby are out fishing for a legendary fish called Moby, they talk about Hemingway, Wild at Heart and Spinoza. They end up fighting the fish and accidentally catching it.