Alula constantly runs away from home to explore a forest nearby much to her father’s chagrin. He drags her back home and orders her inside their house in a very authoritative manner.
- Drama
- Experimental
- Non-narrative
Tag
Alula constantly runs away from home to explore a forest nearby much to her father’s chagrin. He drags her back home and orders her inside their house in a very authoritative manner.
People get lost in the deep forest and the chances of getting out are minimal, but not hopeless. The only way to escape is to go on a journey and respect the forest. But the hero of this film failed to do that, who disrespected the deep forest and now he has to pay for it.
A foreign body lives its own life. You’re not able to get rid of it, it’s always with you, you need it. Caress that odd part of yours, don’t try to shave its long tousled fur. This is a story about something that’s considered to be strange at first but turns out to be the dearest thing to us. About the transformation of inside and outside.
Movie Force Of Attraction is parodying persistent stereotypes about Russians and Americans. Author used live-action movie storytelling method and traditional cultural elements. The movie is also using a lot of gags intended for adult audience. This movie was made in digital paper cut-out animation technique and visual was made in traditional artistic way.
On the one hand it’s dirty work and on the other hand gorgeous product. This is a film about making food and consuming it. The producing part itself is not always as clean as we hope, yet we turn the blind eye as long as the end product looks desirable enough. The film plays with the fantasy of making food and about the satisfaction we get when having delicious products.
A man makes a delicious sandwich for his loving wife.
Short stop motion film about different kinds of food. Story of food in three acts.
FOOD is an animated documentary that features interviews with a wide variety of eaters from around the world. Ranging from vegetarians, vegans, pescetarians to some seriously dedicated carnivores, the conversation raises many substantial issues about the environment and modern life. By pairing real interviews with stop-motion animation, the film presents a group of “edible characters” discussing themselves.
Two characters meet and confront each other in a merciless battle. The story is revealed through a profusion of black and white drawings, evoking an etching in perpetual movement. Brief gestures are repeated in loops, to the point of exhaustion. Obsessive and hypnotic.
An essay about the constant flows of life, a self-portrait of its own process, an improvise on Bach, an investigation on plasticine.
The protagonist is a Miller living in a watermill. He bakes daily bread and raises ducklings whom he wishes one day to set free. But on the field next to his home, hunters go to shoot birds.
A case of mistaken identity has seriously unpleasant consequences in this unsettling arboreal tale that might or might not be a parable of our times. When a special flower unaccountably goes missing, an ever-growing group of animals sets off in pursuit of the purloined bloom, but, as is often the case, the best intentions lead only to unforeseen catastrophe.
The Arcadian atmosphere of a hazy underworld hosts unusual characters: an Illusionist, a Civil Entity, a Wooden Puppet and a silent, but dangerous Swordsmen. Their mysterious experiences are an allegory of the relationship between the now extinct tradition of European combat swordsmanship and the doctrine of pragmatic political action. Is the end of the allegory also a beginning of an instructive misunderstanding? The film is inspired by the motifs from the books Flower of Battle (1410) by Fiore dei Liberi and A Dialogue in Hell between Machiavelli and Montesquieu (1864) by Maurice Joly.
A lonely white flower grows surrounded by other plants and struggls every day to survive.
Every morning, a bearded man must complete a strange and difficult ritual to prepare himself for the day ahead.
In an ordinary building, life goes on like in a beehive. Suddenly the geometry is broken by a leap into the void.
Being a poetic experience, the film unfolds a plant fresco at the edge of intimacy and fantasy, where the eye, like the one spread by the butterfly, wanders from specimen to specimen. In the garden of a dream, the living metamorphoses and beings unveil.
A dirty lake bursts its banks and begins to flood the town. At last there’s a good reason to keep the son at home. But in isolation, nightmarish associations start to mix with reality.
On the cruise that he was supposed to take his annual break from life, Jadran experienced a tragic shipwreck during which he lost consciousness. Wake up in the middle of the ocean, all alone.