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If you HAD to kill your ex, how would you do it? “R.I.P.”, a digital show created and directed by Lena Greene and Lorraine Nicholson, asks real humans that question and they elicit some pretty creative responses. The interviews are then brought to life by Nicholson and Greene, who creatively illustrate the narration in any way they see fit.
Rick and Morty is Adult Swim’s most scientifically accurate animated comedy. Created by Justin Roiland and Dan Harmon, it catalogues the bizarre misadventures of a bored scientific genius/drunkard and his socially awkward grandson, Morty. Their exploits tend to have unintended consequences for Morty’s dysfunctional family, especially his unfailingly mediocre father, Jerry. Watch Rick and Morty battle everything from interdimensional customs agents to Cronenberg monsters.
Three Renees go on a quest to find God, who is also Renee. As they traverse the mountains and valleys of Renee, they discover all the great joys, sorrows, and mysteries of being Renee.
Austrian animation director and media-artist Reinhold Bidner is working in the fields of animation, media art and games. In his Masterclass Encounters & Inbetweens, Reinhold talks about and discuss his artistic animated experiments in between various disciplines, formats and techniques. He will also present images and video excerpts. The session was moderated by Animatricks Creative Director Hämid Shajarian.
An insight into the question: “What Do Cinematographers Do On Animated Movies?”.
Queens of the Stone Age performs in the music video “Go with the Flow” from the album “Songs for the Deaf” recorded for Polydor Records. The features the band playing on the back of a Chevrolet pickup truck driving down a desert highway. Visually, the band is rendered in black and white against a red background.
On her latest love song, “Love Theme, ” Pynkie describes a different type of dilemma – one where she pines to be with someone that doesn’t quite feel the same way, but she hopes to change their mind.
In this talk, Paul Prudence talked about his performance work, which focuses on ways in which sound and generative video can be cross-wired to create live visual-music experiences. He unravelled his process looking at the use of generative graphics combined with sound collage and field recordings to create narrative fictions from the materials of pure abstraction. He touched on his use of expanded projections systems, such as planetarium domes and large screen configurations, to create hypnotic and immersive live experiences.
Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.
In this presentation, experimental animator Jon Gillie will discue his early work in moving image, using analogue and digital mediums. Illustrating with examples, he discussed some influences in his work, approaches to abstraction, and the importance of sketching.
Candaş Şişman, an artist who manipulates human perceptions using different disciplines, talks about his multi-sensory installations that appeal to different senses at the same time, and the production processes of his experience-centered projects.
Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
The talk focuses on the interdisciplinary relations between various areas of knowledge, that were the sources of inspiration for the creation of the final imagery, sound, and movement in the animated works of Miguel Pires de Matos. With a background in architecture, music and animated film, Miguel Pires de Matos will discusses some of the strategies and abstract operations behind his short film 4 Estados da Matéria (4 States of Matter, 2018) and the film he co-directed with other guest architects for MONSTRA Animation Festival in Lisbon, titled compositio III (2012).
In this touching presentation, Pedersen describes the creative and visual processes behind three of his films produced by Mikrofilm: The folkloric anxiety of The Boyg (2016), The looping limbo of Zolle: Resign (2021) and the nuclear petri dish of Little Boy (2018).
In this talk, Blas Payri addressed different aspects of the relationship between the moving image and music, treating both the experimental results of the perception and cognition of music / image as well as their creation processes.
In this MasterClass, the artist Aurora Gasull discussed her fascinating journey through what became known as Visual Music, abstract cinema, absolute cinema…; her personal motivations and tools at the beginning of this path, and their development until today, in chronological order.
Official music video for the Primus song Tommy the Cat off of their second studio album Sailing the Seas of Cheese.
Priit Pärn introduces his film for a special London Animation Club event called Perils Of Perestroika Part 2 on 19th July 2021. The video was made especially by Olga Pärn.
Dolly’s ex, Nobby, meets a new squeeze so Dolly has to use all her sexual and culinary skills to win him back. However, when he is dropped, Dolly doesn’t really want him that much after all.
Belle wants beers and a Greek waiter, Dolly wants fresh salads and Greek culture. Holidaying with a friend can cause friction.