Language

English

201–220 of 298 films

  • Interview with Chris Robinson who is an Ottawa-based animation, film, literature and sports writer, and artistic director of the Ottawa International Animation Festival (OIAF).

    • Making of
  • It is believed that art can touch upon things that are invisible or unspoken, engage a wide range of people in dialogue by analysing different experiences. One of such perspectives is represented by the artists with Down Syndrome, such as the Atelier Normalno community members. For some of them, video became a tool of emancipation. They use the aesthetics of advertising, television and cinema to create moving images art that is a sharp reaction to everyday topics. During the discussion, artist and co-curator of the Atelier Normalno Stanislav Turina and cinema historian and director Stanislav Menzelevskyi will reflect on how artists with disabilities convey modernity, what characters and issues they choose to convey their feelings, how inclusion can be present in culture and the role that video as an artistic instrument plays in it.

    • Making of
  • Our first part of the lecture will focus on pioneers and experiments. We will also find out how Ukrainian animators in the 1920s made advertisements, propaganda, and children’s stories, sometimes even combining all of them in a single artwork. We will also discuss the problems that Ukrainian animation faced and how it bothered and threatened the Soviet government. In the second part of the lecture, we will talk about how and where the animated film heritage is preserved today. What is the size and significance of the animation collection kept at the Dovzhenko Centre.

    • Documentary
    • Making of
  • In this webinar producer Martin Jůza from the Czech animation studio Krutart will tell you the story of the animated series Kosmix and what steps they had to take to produce 2 seasons of their home-grown IP. How they had to change their mindset, what they lost the most money on and what mistakes they made so that you don’t have to repeat them.

    • Making of
  • The new Netflix film, “Robin Robin, ” pushes the envelope of what’s possible with stop-motion animation. The film’s directors, Dan Ojari and Mikey Please, sit down with WIRED to go over the some of the techniques that went into the making of “Robin Robin.”

    • Making of
  • Hot and Tasty

    2019 Adults 4 min

    by Laura Jayne Hodkin

    Two drunk girls accidentally stumble into a crime scene.

    • Crimi
    • Drama
  • HORS SAISON

    2017 Adults 6 min

    by Nicolas Capitaine, Léni Marotte, Lucas Durkheim & others

    Tired park ranger Jude struggles to find her place in her team. Her determination to prove herself leads her to a place where she’ll find herself lonelier than ever.

    • Drama
  • Hide

    2020 Adults 11 min

    by Daniel Gray

    Two brothers entertain themselves with a game of hide and seek. As one counts, the other hides in a small cabinet. Seconds pass… then minutes… years… and decades. HIDE is a heartrending and prescient story about family and disconnect, in a world that is increasingly fragmented and unrecognizable.

    • Drama
    • Family
    • Horror
  • Hamster Hell

    2012 Adults 7 min

    by Lee Hardcastle

    The story of a boy who secretly keeps hamsters hidden under his bed away from his mother. Does he know the meaning of responsibility? He soon will.

    • Drama
    • Horror
    • Comedy
    • Experimental
    • Tragicomedy
  • by Alissa Aubenque, Adrien Roche

    The Green Animation Guide was released at this year’s MIFA and is the first international reference guide for sustainable practices in animation. It provides peer-driven actionable recommendations tailored to the specific needs of studios, producers and artists, enabling them to implement meaningful changes adapted to their realities. The guide is a collaborative effort led by Ecoprod, Green Film and Cine Regio with the support of several regional film funds.

    • Documentary
    • Making of