Synopsis:
It is believed that art can touch upon things that are invisible or unspoken, engage a wide range of people in dialogue by analysing different experiences. One of such perspectives is represented by the artists with Down Syndrome, such as the Atelier Normalno community members. For some of them, video became a tool of emancipation. They use the aesthetics of advertising, television and cinema to create moving images art that is a sharp reaction to everyday topics. During the discussion, artist and co-curator of the Atelier Normalno Stanislav Turina and cinema historian and director Stanislav Menzelevskyi will reflect on how artists with disabilities convey modernity, what characters and issues they choose to convey their feelings, how inclusion can be present in culture and the role that video as an artistic instrument plays in it.
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Our first part of the lecture will focus on pioneers and experiments. We will also find out how Ukrainian animators in the 1920s made advertisements, propaganda, and children’s stories, sometimes even combining all of them in a single artwork. We will also discuss the problems that Ukrainian animation faced and how it bothered and threatened the Soviet government. In the second part of the lecture, we will talk about how and where the animated film heritage is preserved today. What is the size and significance of the animation collection kept at the Dovzhenko Centre.
- Documentary
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The lecture covers animation in the context of new media and how it changes under the influence of other types of contemporary art, such as games, performance, installation. What kind of new animation tools emerged? How to use bugs and mistakes in search of innovation? How to use AI in contemporary animation?
- Documentary
- Making of
- Experimental
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Living in Interesting Times: How contemporary art has changed the human image at the Venice Biennale
This lecture will take us in space and time through the main contemporary art forum, the Venice Biennale. Every two years guest curators treat the international audiences to their own “cross-section of the world.” On the example of prominent projects starting from 2011 and up to now, we will explore the human image and its current ranking in the work of curators and in the imagination of artists. We will also try to establish why it is worth setting your “outlook clock” against the major arts exhibitions.
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Bill Plympton at LINOLEUM 2014.
- Documentary
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We talk about the creation of the series, the attitude to artificial intelligence, cooperation with producers, ambitious projects, and creative clashes that may arise during their implementation.
- Sci-Fi
- Experimental
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Joanna Quinn, whose acclaimed body of work includes the Oscar-nominated shorts Famous Fred, The Wife of Bath and her most recent film Affairs of the Art, speaks with Ben Mitchell of Skwigly Online Animation Magazine in an exclusive talk as part of the Linoleum Contemporary Animation and Media Art Festival. Having achieved major success at the very beginning of her career with her multi-award-winning debut film Girls Night Out, Joanna has since become an inspirational figurehead to many in the animation world through the work of her studio Beryl Productions. In this talk Joanna will offer unique insight into the highs and lows of industry success and how she has navigated the emotional pitfalls that come with it, from grappling with feelings of failure against high expectations, balancing personal projects and professional commissions, to dealing with imposter syndrome, burnout, staying motivated when life gets in the way and the challenges the younger generation face in the current social media climate and the pressures to succeed that come with it.
- Documentary
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Priit talks on the creation of his film HOTEL E (1992). How he got the idea, the structure of the film, filling the basic structure with events, solutions for style of animation and visual design as well as describe the work process. The master class is moderated by Ukrainian animation director Mykyta Lyskov.
- Documentary
- Making of
- Non-narrative
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An interview with artist-in-residence Gianluigi Toccafondo, who we were extremely happy to host in Ljubljana for the 20th edition of Animateka, since he was the winner of the 1st Grand Prix of Animateka back in 2004.
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Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
- Documentary
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Pixar provides their LIVE review of Pixar’s first teaser trailer for “Inside Out 2” on November 9, 2023.
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Actionlessness, wordlessness, slowness, alienation, transcendental cinema in the short animation format? Faiyaz Jafri talks about the importance of procrastination in the creative process and the deconstruction of linearity. Art is suffering, and that’s okay. This is a cinematic masterclass on making boring long films in short film format.
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MASTERCLASS – THE PLEASURE OF MOVEMENT. Wrangling an Infant Technology by JOSÉ-MANUEL XAVIER (PT), with the kind translation of SANDRA RAMOS. “The pleasure of movement is what I feel when I bring strokes, lines, and dots to life. My work method is identical to my way of walking through nature. I advance, step by step, through unexpected paths to discover the unimaginable.”
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