Genre
This is my final 4-week assignment for 3D Character Animation professional course in The Animation Workshop. Inspired by Jacques Tati’s „Playtime“, I decided to create a character who acts in a more subtle manner. For the second part of the film, I wanted to go all out on physical movements of the whole body to get experience in animating a character running, trying to hold balance and tackle with some object.
Why is green filming the future of the film industry? What are the rules of green puppet making? Using their knowledge and expertise, we will talk about practical advice that can allow planning and practicing solutions neutralising the film industry's impact on the environment. The key point is a discussion about a unique green guide prepared as part of StopMoLab by MOMAKIN. Speakers: Paulina Zacharek (MOMAKIN / StopMoLab), Arturo Tornero Aceves, Birgit Heidsiek (European Center for Sustainability)
This video serves as a beginner’s guide to the very famous and influential Czech animator Jiří Trnka. His films include The Hand, The Czech Year, A Midsummer Night’s Dream, Old Czech Legends, and Cybernetic Grandma.
We are glad that we could screen an extraordinary stop-motion piece, Antipolis by Kaspar Jancis in our Masters Competition Programme at the 11th Primanima. The Estonian filmmaker's clay figures are telling the story of an incompatible conspiracy theory about the shape of planet Earth. He worked on many audible and visual details of Antipolis with artists and friends from Hungary. At the 11th of Primanima Kaspar and Mattia Sinigaglia also gifted our audience with a surprise at the Award Ceremony.
Interview with Boris Labbé.
Interview with the director Pablo Ballarin, interviewer Amin Abbasi. In this interview, you can get the answers to the following questions: Was there a personal experience or event that prompted the creation of this film? What was the biggest challenge with this film?
In this touching presentation, Pedersen describes the creative and visual processes behind three of his films produced by Mikrofilm.
Interview with Boris Labbe.
This video serves as beginner’s guide to the world of Bulgarian animation.
Nikita Diakur got a special jury award for his film "UGLY" at Animafest 2017., and then a year later he came back with "FEST“ and won The Golden Zagreb Award for creativity and innovative artistic achievement: the jury praised his film for bringing fresh perspective, digital innovation and creative use of contemporary technology while referencing modern subcultures.
Meet Priit & Olga Pärn, directors of 'Life Without Gabriela Ferri' (2008), 'Divers in the Rain' (2009) and 'Pilots on the Way Home' (2014). Interview in English.
Joanna Quinn completed a foundation course in art at Goldsmiths College, University of London before studying for a BA in Graphic Design at Middlesex University. There she first discovered the magic of animation, quickly adapting her unique drawing abilities to produce beautifully fluid and dynamic animated passages. In 1985 she founded Beryl Productions with her partner, producer/writer Les Mills, and the couple have collaborated ever since. Joanna is now a highly acclaimed figure in world animation, having won over 90 international awards, including Emmys, Baftas and Jury prizes at all the major animation festivals. Two of her films have received Oscar© nominations. She has been honoured with retrospectives of her work in all over the world including Rome, Rio de Janeiro, New York, Stuttgart, Zagreb, Hiroshima, Toronto, Montreal, Gothenburg, Bradford, Cordoba, Tampere, Ottawa, Valencia and Taiwan.
Go behind the scenes with the real people that voiced your favourite Creature Comforts characters. Nick Park’s Creature Comforts took the classic documentary style and applied it to the lives of wild animals and pets, matching a cast of clay characters with human voices to charming effect. Originating from Nick’s 1989 Academy Award®-winning short film, Creature Comforts was unique for using unscripted vox-pop interviews with the British public in a stop motion series that has become an Aardman classic.
In this presentation, experimental animator and educator Amy Kravitz discussed the process of creating, embracing, fragmenting, abandoning, shattering, and obscuring narratives to find what feels genuine and truthful.
The Primanima International First-Film Animation Festival returns, marking its 10th edition in Budaörs this year.
The Primanima International First-Film Animation Festival returns, marking its 10th edition in Budaörs this year. This year, the animated short films arrive earlier than usual—running from October 5 to 8—at the Jókai Mór Cultural Center and BABtér, with Saturday events also taking place at the Municipal Youth Club. In addition to screenings for adults, teens, and children, the festival will once again feature workshops, discussions, and, of course, parties. Professional programs are taking on a new format, and Primanima Jumpstart—a hybrid talent development program—is launching as well.
Simon Bogojević Narath was born in 1968 and graduated from the Academy of Fine Arts, Painting Department in Zagreb. He has been working on experimental film/video and video-installations since 1990. In 1993 he started working with 2D and 3D computer animation. His short experimental and animated films were screened and awarded at many international festivals. He teaches animation at the Arts Academy in Split, at the Academy of Applied Arts in Rijeka and Academy of Fine Arts in Zagreb (Animation Department).
Aardman mainstays Nick Park and Merlin Crossingham visit BFI Southbank to talk about their work, including the new Wallace & Gromit adventure Vengeance Most Fowl. Four-time Oscar-winner Nick Park created the characters Wallace and Gromit at film school. He would go on to direct Creature Comforts, Early Man and, with Peter Lord, Chicken Run. He is a director of Aardman Animations and one the world’s leading stop-motion animators and filmmakers. The multi-talented Merlin Crossingham has worked on many of Aardman’s greatest films and is Creative Director of Wallace and Gromit at Aardman. He is also the director, with Nick Park, of the forthcoming Wallace and Gromit adventure Vengeance Most Fowl. They will discuss their careers at Aardman and share their insights into this glorious form of animation.
Marta Gennari and Giulia Martinelli about their friendship, creative process, prihodnosti and their film Merlot.
Acclaimed animation directors Péter Vácz and Joseph Wallace led an intensive four day stop motion workshop as part of the PRIMANIMA World Festival of First Animations in Budapest (Oct. 2017). Twelve international participants joined the directors to learn the practice and theory around their methodologies of creating cinematic puppet animation from simple materials.