Funan
Synopsis:
Cambodia, 1975. The survival and the struggle of a young mother during the Khmer Rouge revolution, to find her 4-year-old son, torn from his family by the regime.
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Song of the Sea tells the story of Ben and his little sister Saoirse – the last Seal-child – who embark on a fantastic journey across a fading world of ancient legend and magic in an attempt to return to their home by the sea. The film takes inspiration from the mythological Selkies of Irish folklore, who live as seals in the sea but become humans on land.
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In her diary, Anne Frank addressed her imaginary friend Kitty. In his new animated film Where Is Anne Frank, Israeli director Ari Folman brings Kitty to life for the first time, telling her own story. In search of her best friend Anne Frank, Kitty becomes a witness to the Frank family’s last months in the Holocaust, and to Europe after the Second World War.
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Based on Hanna Schott’s children’s book this animation feature tells the story of fourth grader Fritzi in the East German city of Leipzig during the summer of 1989. She is supposed to watch her best friend Sophie’s dog for her over the summer – but she finds out that Sophie and her family have fled to the West via Hungary. Fritzi does everything she can to be reunited with her friend. With a subtle sense for pedagogy and many moving moments this film will introduce a young generation to the complex political and historical events that led to the German reunification.
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A giant talkative frog, a lost cat, and a tsunami help a bank employee, his wife and a schizophrenic accountant to save Tokyo from an earthquake and find a meaning to their lives.
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1863, a convoy in the American West, Martha Jane needs to learn how to take care of horses to drive the family wagon. Except she ends up wearing pants and cutting her hair. The scandal that its stark character provokes will force to face all the dangers in a gigantic and wild world where everything is possible.
- Drama
- Coming-of-Age
- Adventure
- Family
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A bored Little Vampire, who has been 10 years old for 300 years yearns to go to school and make friends, but his new friendship with orphan boy Michael is threatened when a terrifying creature is out for blood.
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A young hunter journeys to Ireland with her father to help wipe out the last wolf pack – but then she befriends a free-spirited girl from a mysterious tribe rumored to transform into wolves by night.
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I Lost My Body (French: J’ai perdu mon corps) is a 2019 French adult animated film directed by Jérémy Clapin. It premiered in the International Critics’ Week section at the 2019 Cannes Film Festival, [4] where it won the Nespresso Grand Prize, becoming the first animated film to do so in the section’s history. The film was nominated for Best Animated Feature at the 92nd Academy Awards.
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An official Cannes selection and winner of festival prizes and awards worldwide, ANOTHER DAY OF LIFE is a daringly ambitious dive into the chaos of war, based on the book by the journalist Ryszard “Ricardo” Kapuściński, one of the world’s most compelling chroniclers of conflict. Intercutting a graphically bold animation style with interviews and archival footage, the visually striking film conveys a rare immediacy as it tells of the outbreak of civil war following Angola’s independence from Portugal in 1975. Against all advice, Kapuściński is intent on driving south into the heart of the bloody conflict to find the isolated rebel leader Farrusco. His animated trip through corpse-strewn roads conveys an undeniable urgency, while the documentary testimony reminds us that we are watching actual history.
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Well, well, well. Project #2, an indie animation anthology based on the theme of STRANGERS. All original work done between 2014 and 2016.
- Drama
- Romance
- Sci-Fi
- Abstract
- Experimental
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In a wonderfully sweet yet poignant story, Louise, an old lady, finds herself stranded in a seaside resort after the last train of the holiday season has left the station. But far from panicking, the fearless Louise decides to stay, no matter what awaits her.
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At Potosi, in Bolivia, we find ourselves plunged in the obscure depths of a mine. And this obscurity does not dissipate, or only furtively, yet only in a light made mainly of words. But these words themselves, contrary to many “films of mines”, evoke little of the labour of the miners, or only obliquely. This mine presents itself more as another archaic foyer, a place of pagan worship with its unexpected luciferian alters, or as a cavern conducive to welcoming and protecting ambiguous tales. The treasure that this mine holds, as we have come to understand, is no longer the precious ore painfully extracted from its core, but the memory of the suffering itself, right up to the unseemly welcoming of tourists. This magic is shown by its title, here lies the treasure slowly unearthed by the respectful, affectionate and playful attention of Andrei Schtakleff. And we are grateful for this