Lorraine Lordan talks from Ireland on her international career in animation. She explains how she has been able to balance making a short film with lead roles on features, and shares what she has learnt along the way.
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Lorraine Lordan talks from Ireland on her international career in animation. She explains how she has been able to balance making a short film with lead roles on features, and shares what she has learnt along the way.
Masterclass with one of the undisputed geniuses of animated film and creator of Aardman Animations, the studio responsible for such unforgettable characters as Wallace & Gromit, Shaun the Sheep, and others, Peter Lord at Cineteca Madrid.
While playing with his colorful matchsticks, a little boy is talking about his dreams, fears and hopes..
Actionlessness, wordlessness, slowness, alienation, transcendental cinema in the short animation format? Faiyaz Jafri talks about the importance of procrastination in the creative process and the deconstruction of linearity. Art is suffering, and that’s okay. This is a cinematic masterclass on making boring long films in short film format.
Masterclass of Lea Vidakovic at ESAD.
Gints Zilbalodis will share what he learned while making his feature debut “Away”, which won the Contrechamp Award for Best Feature Film at the Annecy International Animation Film festival in 2019. He will also reveal what goes on behind the scenes of the creative process of his upcoming film “Flow”.
Animating the void in a mask. A film made entirely on a tablet.
Based on the story of the same name by Edgar Allan Poe. The plague is ravaging the whole world. Prince Prospero with his decadent company locks himself in a castle where he continues his orgies. But the court dance will be interrupted by a seductive lady who lures the prince further and further through the luxurious halls of the castle. At the end, in a passionate embrace, Prospero discovers that the mysterious guest is actually the plague, which destroys both his life and the carefully guarded court
A boy wins a new toy in a claw machine – an ordinary Martian doll. It turns out that things are not that simple, the boy finds himself on Mars and he has to fight with a whole bunch of the Martians.
Philip Seymour Hoffman and Toni Collette are the voices of Mary and Max, two misfits who form a close friendship, in this hilarious and charming animation story.
Accompanied by a familiar melody, the Argentinian video clip draws us into the vortex of a world whose animation is based on the magic of the zoopraxinoscope. Combined with other animation techniques, the result is an unusual work using not only a fascination with primordial animation devices, but also hand-drawn or stop-motion animation.
People should be happy. Even this Egyptian goose, who tries to cast a spell on us with a seductive dance. Its gracious and clumsy movements captivate us. But it’s not the only one to master the dance.
A town on the borderlands of Texas. A place out of time. A desert where strange lights dance in the night sky.
Marilyn is trying really hard to make something that is good. For once her expectations and reality are going to align, perfectly. No, it will be even better than she imagined. It will be epic. It will be tear jerkingly profound. It will be perfecter than perfect. Nothing can go wrong.
A high octane sci-fi splatterfest by Ollie Jones for the Aussie band Psychedelic Porn Crumpets – in beautifully crafted Claymation.
Marcel survives the bird flu, alcohol, sleeping pills and his son Max. Though blinded in one eye, he remains the King of Tervuren. Greek tragedy as acted out by Belgian roosters.
The history of the Cultural Revolution in the 60s in China…from the perspective of a mango…from a factory.
Manivald is a fox in his early 30s. He is still living at home with his mother. One day a young hot wolf called Toomas comes to fix the washing machine. A love triangle develops between the three of them. Things get out of hand and Manivald realizes that it is time to move out.
The woman remembers her former boyfriends in images of animals.
Mamie lives in Gaspésie in a house that faces away from the sea. When the old woman receives an expropriation notice, her cloistered world crumbles. Her granddaughter witnesses this uprooting and starts to question the lack of real ties between them.