Synopsis:
Gints Zilbalodis will share what he learned while making his feature debut “Away”, which won the Contrechamp Award for Best Feature Film at the Annecy International Animation Film festival in 2019. He will also reveal what goes on behind the scenes of the creative process of his upcoming film “Flow”.
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An interview with artist-in-residence Gianluigi Toccafondo, who we were extremely happy to host in Ljubljana for the 20th edition of Animateka, since he was the winner of the 1st Grand Prix of Animateka back in 2004.
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Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
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Our first part of the lecture will focus on pioneers and experiments. We will also find out how Ukrainian animators in the 1920s made advertisements, propaganda, and children’s stories, sometimes even combining all of them in a single artwork. We will also discuss the problems that Ukrainian animation faced and how it bothered and threatened the Soviet government. In the second part of the lecture, we will talk about how and where the animated film heritage is preserved today. What is the size and significance of the animation collection kept at the Dovzhenko Centre.
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Pixar provides their LIVE review of Pixar’s first teaser trailer for “Inside Out 2” on November 9, 2023.
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Actionlessness, wordlessness, slowness, alienation, transcendental cinema in the short animation format? Faiyaz Jafri talks about the importance of procrastination in the creative process and the deconstruction of linearity. Art is suffering, and that’s okay. This is a cinematic masterclass on making boring long films in short film format.
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MASTERCLASS – THE PLEASURE OF MOVEMENT. Wrangling an Infant Technology by JOSÉ-MANUEL XAVIER (PT), with the kind translation of SANDRA RAMOS. “The pleasure of movement is what I feel when I bring strokes, lines, and dots to life. My work method is identical to my way of walking through nature. I advance, step by step, through unexpected paths to discover the unimaginable.”
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MASTERCLASS – ARCHITECTURAL FRACTALS by JULIUS HORSTHUIS (NL). “I’ll take the audience through some of the fractal landscapes. We will look at some of the characteristic features of those fractals, almost like we’re watching architectural facets. What creates those features? What is it about fractal math that makes it so engaging? What else is there to explore?” – Julius Horsthuis
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Júlia Farkas is the first Hungarian artist who made a short for Adult Swim Smalls, a series dedicated to young artists who can realize their own vision. Júlia is an animation film director who is also an accomplished art teacher and active in the field of new media, her popular gifs have reached more than 2 billion views on her Giphy’s site. In this masterclass Juli will tell us about how to create an auteur animation even if it is a commissioned work. She will tell us how she came up with the initial idea, how to experiment during the production and let new ideas be born even in the later stages and how can you fit these into the original concept. Afterwards, she will examine why the extra short films and animation go well together and why it is interesting to work in this format and how a strange surreal humor feeds her work. She will also tell about the new challenge she faced, when she started to explore the relationship between the visuals and creative sound design.
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How can we adapt an animated film project for the game industry? Roman Vizvary presents the work principles of the company Butterfly Effect, which is involved in the field of developing games and applications on assigned topics. The writers of the successful TV series and TV special “MIMI AND LISA” compare the approaches used for animated works and for games.
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In this webinar producer Martin Jůza from the Czech animation studio Krutart will tell you the story of the animated series Kosmix and what steps they had to take to produce 2 seasons of their home-grown IP. How they had to change their mindset, what they lost the most money on and what mistakes they made so that you don’t have to repeat them.
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The multiple award-winning Daniel Gray will present his newest short animation, HIDE which started its festival circuit at Ottawa and continued at Montreal, Clermont-Ferrand, Zagreb and Krakow. Now, Daniel, the writer and director and Bella Szederkényi, his producer will reveal what’s behind the door and will share the story of creating HIDE from its conception, development, finding partners, pitching failing, pitching succeeding, residencies, pre-production, production, post-production, sound recording challenges, life complications and its afterlife at the festivals.
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Polish filmmaker Marta Pajek discusses the creative process for her award-winning trilogy, Impossible Figures and other stories, following the online release of the final film, a mysterious and haunting portrait of personal and societal self-destruction.
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