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Music video by the young Hungarian artist Tomek Ducki. Once again, he works with vivid colours and elaborates the story of the original sin of Adam and Eve. In his version, the woman is a very important character and his method reminds of watercolour paintings.
A short and captivating non-narrative animation be Polish filmmaker Konrad Ożgo.
Сo-production experience of animation around the globe and participation of Ukraine in it: BreakThru Films studio cases. BreakThru is known for groundbreaking, artistic and commercially successful animation projects.
Trailer for ZubrOFFka 18 created by Estonian animator Sander Joon.
Interview with Paulina Ziółkowska. Animatricks 2021.
Why is green filming the future of the film industry? What are the rules of green puppet making? Using their knowledge and expertise, we will talk about practical advice that can allow planning and practicing solutions neutralising the film industry's impact on the environment. The key point is a discussion about a unique green guide prepared as part of StopMoLab by MOMAKIN. Paulina Zacharek (MOMAKIN / StopMoLab) Co-founder of Momakin, responsible for cinema distribution and development of film projects, professional education for stop-motion industry. Creator and head of StopMoLab. Board member of Polish Producers Alliance (KIPA). Co-organizer of Animarkt Stop Motion Forum. Arturo Tornero Aceves Scriptwriter, animator, compositing artist specialized in stop motion, 2D and motion graphics with multidisciplinary and socio-environmental approach. Working on biodegradable alternative to silicone for stop-motion production. Birgit Heidsiek (European Center for Sustainability) Founder of the European Center for Sustainability in the Media World. Publishes Green Film Shooting magazine. Green Cinema Consultant for German Federal Film Board. Author of The Green Cinema Handbook. Two-time recipient of German Sustainability Award. TEDx speaker. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.
A short and captivating non-narrative animation by Polish filmmaker.
A short animation inspired by Nastya Fateeva choreography and "Dostochka" by DakhaBrakha, with step by step process.
An animated take on woman’s place in contemporary world. Inspired by reality and the media.
“XOXO – hugs and kisses” is a film about loneliness, not treated literally as being alone, but loneliness despite appearances of proximity. We watch a game in which we cross the boundaries and transcend our sensuality beyond accepted norm.
An ageing couple Aniela and Konstanty lead a quiet life together. She gives herself over to knitting while he eagerly works on some invention. Although their everyday life seems extremely well-organized there is something deeply lacking.
The phenomenon of creation explained. Balancing between seriousness and mockery. A lecture, literature and animation.
1st year short film, Why not Mushrooms”
Hope, perdition, memory. A symbolic story about three stages of human life, shown on the example of the history of one woman.
few uncomfortable animations made a couple of years back
The film is the story of man and his relationship with nature – the nature of which we ar part of; which has the ability to renew itself, dye and to re-return to life.
The music video that shows a woman from various perspectives – her caprices, inner and outside beauty, her shadows and demons.
At Potosi, in Bolivia, we find ourselves plunged in the obscure depths of a mine. And this obscurity does not dissipate, or only furtively, yet only in a light made mainly of words. But these words themselves, contrary to many “films of mines”, evoke little of the labour of the miners, or only obliquely. This mine presents itself more as another archaic foyer, a place of pagan worship with its unexpected luciferian alters, or as a cavern conducive to welcoming and protecting ambiguous tales. The treasure that this mine holds, as we have come to understand, is no longer the precious ore painfully extracted from its core, but the memory of the suffering itself, right up to the unseemly welcoming of tourists. This magic is shown by its title, here lies the treasure slowly unearthed by the respectful, affectionate and playful attention of Andrei Schtakleff. And we are grateful for this
A dead body became stuck by a river bank. Its decaying insides still hide a human soul – a miniature of the deceased. Rotting organs part and a tiny creature gets out. Standing on the river bank, it says goodbye to the corpse and sets off on a journey through the post-mortem land.
Summer is coming to the end, the fruit is growing ripe on the trees. Grandpa gives his grandson a kite. As the boy is tossed around in the air, Grandpa catches him. Then the leaves fall and Grandpa has grown weak. A strong autumn wind carries him off into the cloudy sky. Winter comes, then springtime. A warm breeze brings them together again. Told with enchanting, richly-textured images, this tale is about remembering those who are no longer with us.