On her latest love song, “Love Theme, ” Pynkie describes a different type of dilemma – one where she pines to be with someone that doesn’t quite feel the same way, but she hopes to change their mind.
- Music Videos
- Romance
- Abstract
- Experimental
Technique
On her latest love song, “Love Theme, ” Pynkie describes a different type of dilemma – one where she pines to be with someone that doesn’t quite feel the same way, but she hopes to change their mind.
Apple, a puppy owner, has been miserably single for as long as she can remember.
In this presentation, experimental animator Jon Gillie will discue his early work in moving image, using analogue and digital mediums. Illustrating with examples, he discussed some influences in his work, approaches to abstraction, and the importance of sketching.
Candaş Şişman, an artist who manipulates human perceptions using different disciplines, talks about his multi-sensory installations that appeal to different senses at the same time, and the production processes of his experience-centered projects.
Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
In this touching presentation, Pedersen describes the creative and visual processes behind three of his films produced by Mikrofilm: The folkloric anxiety of The Boyg (2016), The looping limbo of Zolle: Resign (2021) and the nuclear petri dish of Little Boy (2018).
In this MasterClass, the artist Aurora Gasull discussed her fascinating journey through what became known as Visual Music, abstract cinema, absolute cinema…; her personal motivations and tools at the beginning of this path, and their development until today, in chronological order.
A freak grotesque about hand puppets.
Its 18 years since a featureless Meathead first appeared, shivering on a pavement in “Jukebox”. To mark this coming of age, here are some of their best bits…so far…
This is a film about identity loss in the totalitarian world of computer technology. In a meeting between a human and an artificial being, we can witness the creation of biomorphic reality.
A shrew is looking for a new home, with no success. Little does he know, that he’s about to make a discovery that could change the future of his kind.
Process is an animated short about the process of animation as it’s taught in universities and art schools. It follows the path from the idea, or the concept that we are working on, through layout, storyboard, and scenario up to the final product – the film.
Talking genitals discuss masturbation, sexuality and vaginas in this intimate documentary. The film explores the insecurities and desires of a range of real people, with each voice visualized by a different animator: a collaboration of self-expression.
Priit talks on the creation of his film HOTEL E (1992). How he got the idea, the structure of the film, filling the basic structure with events, solutions for style of animation and visual design as well as describe the work process. The master class is moderated by Ukrainian animation director Mykyta Lyskov.
Official music video for the Primus song Tommy the Cat off of their second studio album Sailing the Seas of Cheese.
Animated video for “Ako je” from the debut album by the Croatian psychedelic band Pridjevi.
Journey through a lightened forrest.
Welcome to the world of PLSTC, an undersea dystopia that submerges you in the disturbing reality of plastic pollution in our oceans. Through a series of graphically confronting AI-generated and hand-composited images of ocean creatures, this experimental animated film confronts you with the devastating consequences of our habits on marine life, and leaves you gasping for breath.
I created “Playtime” in 2010 as part of The Toronto Animated Image Society’s funded project to bring the Group 11 Painters alive with animation. My film was an homage to the life and art of Jock MacDonald. This film was created with paint and decayed frames of Hollywood trailers glued directly onto the surface of 35 mm film strips.
A child is accidently raised by a TV.