The music video of Iam Twisqis re-creating an urban playground by animating shapes, forms and colours extracted from the original buildings.
- Experimental
- Non-narrative
Technique
The music video of Iam Twisqis re-creating an urban playground by animating shapes, forms and colours extracted from the original buildings.
I’m Not There is a debut project of Zagreb-based designer and animator Mirta Filipović. Only a few months after her first encounter with 3D animation, she embarked on a mad attempt of making an animation video for the Zagreb-based band Paul The Walrus.I’m Not There is a result of a year and a half of sleepless nights, existential ponderings and questioning why would anyone ever try and make an animated video with only three months’ experience in animation. This animation is a story about power, who has it, who doesn’t and how those who seem to have it nevertheless account to someone greater than them. Hands, eyes and mouth are used as symbols of power and submission. Hands hold power and can shape the world as they please, while eyes and mouth are sensual organs that can only observe and receive impulses.
Can the robot subtitute an actor in the theatre? The story of this short lenght sci-fi film with impressive atmosphere and rafined 3D animation held in Prague in not far future. The theatre director decides to feature the robot for the main role instead the actor. The robot gets out of theatre to the streets of city after intervention of angry actor. The robot is starting to play his life role.
As the night comes, the journey begins. Running rushing, racing. Unbound from time and swept away by the night’s surreal cascade of lights, we leave day-life behind.
Confronted with doubt and feelings of emptiness, drunk with unhappiness and seeking to drown his sorrow, Barnabé experiences a curious metaphysical visitation; lightning strikes the spire of his church and a mysterious bird appears, forcing him to reconsider his life
A film about the famous Hungarian poet Endre Ady, who recognized his sweetheart Léda in a sphinx statue at Hungarian Opera House and tried to coax it.
A small community in the woods experiences a flooding. The people of the city recite a poem, admitting to their doubts. A meandering film about identity, uncertainty and the hope to escape it. Created for Adult Swim – Off The Air
I Lost My Body (French: J’ai perdu mon corps) is a 2019 French adult animated film directed by Jérémy Clapin. It premiered in the International Critics’ Week section at the 2019 Cannes Film Festival, [4] where it won the Nespresso Grand Prize, becoming the first animated film to do so in the section’s history. The film was nominated for Best Animated Feature at the 92nd Academy Awards.
This is a movie about how nature will use our worst legacy to get back it’s primitive rights.
The short film revisits the theme of the sorcerer’s apprentice: a curious and clumsy kid messes around with the botanical experiments of a lanky Master Cervo.
“How to Disappear” is an anti-war movie in the true sense of the word, searching for possibilities for peace in the most unlikely place of an online war game. It’s a tribute to disobedience and desertion – in both digital and physical-real warfare.
“Missing Link” is the latest feature from Laika Studios, which makes some of today’s biggest stop motion animated movies. Their latest stars Hugh Jackman, Zach Galifianakis, and Zoe Saldana. Director Chris Butler talked to us about all the work that went into bringing this movie to life. It involved years of work and over 100 handcrafted sets.
The fourth installment in the beloved “Toy Story” franchise achieves a level of detail and realism unseen in any Disney/Pixar project yet. See how it all came to life at the legendary Pixar studios, step by step: beginning with the story and artwork stage, onto 3D computer modeling, shading and surfacing, layout, voice acting, character animation, simulation, lighting, effects, scoring, sound mixing, and the final render.
Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
The two best rescue workers in the region take off for their umpteenth mission. Professionalism and efficiency all around, but things don’t really go as planned…
Dance as best as we could with my holy sisters.
A little romantic night time picnic date on my beloved Teufelsberg in Berlin, for Hinge.
Each night there is a mysterious earthquake in the deer’s neighbourhood.
Herman lives in peaceful harmony with his teddybear inside a large tree surrounded by a beautiful garden. One night an unexpected and for Herman unwelcome visitor arrives. When Herman throws the visitor out it gets stormy outside and he realizes that he has to go out on a rescue mission. We follow Herman´s journey through the thick fog before he eventually understands that a heart can accommodate many and the fog clears.
Sci-Fi Fantasy journey of a little girl with a special pet friend, a huge toad. Once the girl loses her pet, which drifts in the sky in a form of a balloon, she is going thought different adventurous scenarios by chasing it.