Technique
This story is about the main character suffering from cyber-bullying and trying to escape from his nightmare. There are two worlds in the story, the character’s dream world, and the real world. In his dream, he is sentenced to death in court. He experiences confusion, fear, escape, guilty, and depression. But in the real world, everything is just happening in his bedroom…
A little girl named Luna traces constellations which come alive in the night sky. She tries to show her Dad, who struggles to understand her imaginary world.
Borges meets Murnau in a spinning nightmare. And the baby sings: “No, not be scared old bird, to awake and see I am dreaming you.”
Behind the scenes of Cars with Academy Award-winning filmmaker John Lasseter in this interview about the making of Pixar’s beloved animated film. As the creative director of Pixar since its founding and the Chief Creative Officer of both Walt Disney Animation Studios and Pixar Animation Studios, John Lasseter shares fascinating insights into the creative process, storytelling and technical innovations that brought Cars to life.
ASIFA-Hollywood presents, “A conversation with John Musker and Ron Clements (Masterclass)” at the Annecy Film Festival.
It’s ten o’clock. A family sits down at the table. It’s dinner time.
Dots, Lines, Planes and Forms set themselves in motion and get drown into their own choreographic world. Within the ecstasy of touch they engage with Jazz Tones into a play of colours and forms which results in a total explosion.
A music video for a song On a Blacjk Horse by Jana Kirschner.
I once jammed in lowpoly like that.
Director, co-writer, co-producer, co-composer, editor, and cinematographer Gints Zilbalodis explains the guiding philosophy behind FLOW, his profound meditation on the fragility of the environment and the spirit of friendship and community. Steeped in the soaring possibilities of visual storytelling, Flow is a feast for the senses and a treasure for the heart.
In this ultrashort animated film, we follow an octopus who is a clean-up neat-freak. But sometimes, even though you have so many arms, you still cannot reach what you are aiming for. Ink was originally created for the theater, as a stereoscopic 3D film.
A girl hears mysterious noises and investigates, but the source isn’t an easy answer.
Incomprehensible Labour by Specific Means deals with the theme of labour in the contemporary. It critically points out the relationship between the abstraction of advanced automation and the concreteness of human labour. Work that is not always conscious and visible, but often unconscious and invisible. At the same time, this video highlights the fetishization of technology and performance, the result is not only invisible but also unimportant.
A family arrives on a crowded beach to spend their holidays, however a mosquito will transform their wonderful day into hell …
The world is in perpetual motion, like an infinite dance which accelerates, slows down, alone or in company. In Your Hands depicts how difficult it can be to follow this dance by portraying a couple confronted with depression.
A young woman is being followed by a crocodile who represents her shyness. As he makes her life a living helle, she tries byevery means to get rid of him.
The fight between the squirrel and the big poster placed in front of her house that blocks the sun.
It’s calm and peaceful above the clouds. But chaos lurks in the distance and each night, it draws closer.
Currents of electricity were analysed and introduced into a human host via electrodes. The visual material was then animated and mixed with M. Bense’s text Technical Existence (1949).
Every year, Brazilians gather on the beach of Salvador de Bahía to celebrate the divinity of the sea, Iemanjá.