Until yesterday, it never occurred to the three birds to look at the world around them, but today, when they heard certain voices for the first time, they decided to do something significant…
- Educational
- Experimental
- Non-narrative
Tag
Educational
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Q&A with Gints Zilbalodis, director of FLOW, at Santa Barbara International Film Festival.
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ROBOT DREAMS director/screenwriter/producer Pablo Berger discusses the film at the AMC Century City 15 in Los Angeles on Sunday, March 3, 2024. Video shot live on location, organized, assembled, written (via editing), & edited by TheMovieReport.com
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This is a 2D animated online series for children, created with the Bratislava Policy Institute as part of the Rayuela project to explain online safety. Set in an 8-bit game world and led by two fox heroes, it covers topics like cyberbullying, online harassment, and misinformation.
- Family
- Adventure
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This is a 2D animated online series for children, created with the Bratislava Policy Institute as part of the Rayuela project to explain online safety. Set in an 8-bit game world and led by two fox heroes, it covers topics like cyberbullying, online harassment, and misinformation.
- Family
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An insight into the question: “What Do Cinematographers Do On Animated Movies?”.
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In this talk, Paul Prudence talked about his performance work, which focuses on ways in which sound and generative video can be cross-wired to create live visual-music experiences. He unravelled his process looking at the use of generative graphics combined with sound collage and field recordings to create narrative fictions from the materials of pure abstraction. He touched on his use of expanded projections systems, such as planetarium domes and large screen configurations, to create hypnotic and immersive live experiences.
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MASTERCLASS – ARCHITECTURAL FRACTALS by JULIUS HORSTHUIS (NL). “I’ll take the audience through some of the fractal landscapes. We will look at some of the characteristic features of those fractals, almost like we’re watching architectural facets. What creates those features? What is it about fractal math that makes it so engaging? What else is there to explore?” – Julius Horsthuis
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Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.
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Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
- Documentary
- Making of
- Abstract
- Experimental
- Non-narrative
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Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.
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MASTERCLASS – THE PLEASURE OF MOVEMENT. Wrangling an Infant Technology by JOSÉ-MANUEL XAVIER (PT), with the kind translation of SANDRA RAMOS. “The pleasure of movement is what I feel when I bring strokes, lines, and dots to life. My work method is identical to my way of walking through nature. I advance, step by step, through unexpected paths to discover the unimaginable.”
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MASTERCLASS – ALTERED DIMENSIONS. Abstract Audiovisual Works of Art by ZSOLT GYENES (HU). Gyenes’ talk focuses on Sound / Image connections; on what Synchrony, Asynchrony and “Synchresis” actually mean.
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The talk focuses on the interdisciplinary relations between various areas of knowledge, that were the sources of inspiration for the creation of the final imagery, sound, and movement in the animated works of Miguel Pires de Matos. With a background in architecture, music and animated film, Miguel Pires de Matos will discusses some of the strategies and abstract operations behind his short film 4 Estados da Matéria (4 States of Matter, 2018) and the film he co-directed with other guest architects for MONSTRA Animation Festival in Lisbon, titled compositio III (2012).
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In this touching presentation, Pedersen describes the creative and visual processes behind three of his films produced by Mikrofilm: The folkloric anxiety of The Boyg (2016), The looping limbo of Zolle: Resign (2021) and the nuclear petri dish of Little Boy (2018).
- Documentary
- Abstract
- Experimental
- Making of
- Non-narrative
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In this talk, Blas Payri addressed different aspects of the relationship between the moving image and music, treating both the experimental results of the perception and cognition of music / image as well as their creation processes.
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In this MasterClass, the artist Aurora Gasull discussed her fascinating journey through what became known as Visual Music, abstract cinema, absolute cinema…; her personal motivations and tools at the beginning of this path, and their development until today, in chronological order.
- Documentary
- Abstract
- Experimental
- Making of
- Non-narrative
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Priit Pärn introduces his film for a special London Animation Club event called Perils Of Perestroika Part 2 on 19th July 2021. The video was made especially by Olga Pärn.
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Interview with the director Anu-Laura Tuttelberg, interviewer Johanna Kristina Artjušin.
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In 1968, a young flight attendant bought 900 lbs of marijuana in Jamaica and tried to smuggle it out. This leads to unexpected consequences.
- Documentary