Extracts from the journal of Pastor John Deitman, Strathmoor, Georgia. June and July, 1927.
- Drama
- Experimental
- Tragedy
Audience
Extracts from the journal of Pastor John Deitman, Strathmoor, Georgia. June and July, 1927.
A married man on a business trip checks into a hotel. The hotel manager’s daughter falls for him at first sight. Rejected by the man, she embarks on a journey of revenge.
The film tells the story of a poor painter in need. He is pursued by his landlady demanding the rent and also a strange dream about a painting come-to-life that can save him.
Lion and Bird break into an uninhabited villa to find out about the reason why it is not aging. Immediately they feel the power that keeps the villa alive.
The Physics of Sorrow is a potent portrait of a dislocated generation struggling to find home as they shift through everchanging personal and geographic landscapes.
Ö goes to a party.
The Owl and the Pussycat set sail with their few precious possessions on a journey in which they learn nothing and lose everything except each other.
Experiential and somewhat dark in humour, this short takes a slanted look at modern work routines and life in the office. We see two neighbours work in the same open-plan office. One loves order, the other is a hedonistic slacker. What happens when these two extreme opposites find themselves on a collision course, time after time?
At the top of a mountain where stands a mysterious shrub, an old man in a wheelchair stumbles upon an unexpected finding. On his way back, he will try to get the most out of his discovery from the city’s inhabitants. A sinister fable gravitating towards the themes of ownership and high productivity.
Animated short about a voyeur cat, a woman with excessive love for her plants, and a peculiar visitor in a fur hat. Based on the short story ‘Megbocsátás’ by Ádám Bodor.
Agathe, 39, has but one obsession: to have a child. She finds her ex, Marc-Antoine, a DJ, mixing techno in Marseille. As she tries to talk to him into getting back together, plastic bags come to life and attack the city.
On a dark stormy night, the villagers talk about the weird things that happened recently. They decide to kill the night fright. However, nobody knows if there’s any truth to the rumours of its appearance.
The music video follows an anthropomorphic muffin character who energetically sings about “muffin time” with darkly humorous lyrics about wanting to die.
A weary old man is getting ready to die. He has nothing more to fear and decides to share the secret of his life with us. While his relatives wait outside the door, eager to get a share of what was once his, he takes us on a journey through his memories. What will be the ultimate truth he chooses to pass on?
In his flat, the retired “Mighty Hunter” gets ready for a good nights rest. The walls of his little bedroom are filled with stuffed “Animal Head’s” that reminding him of his mighty past. Unknowing to him is that the “Animal Head’s” come to life, and have chosen this night to make a complex attempt on his life. Its payback time!
Why bother dragging around one’s shadow? A man agrees to a pact with a magician and swaps his shadow for riches. He soon discovers that the absence of a shadow can be a humiliating handicap. After fleeing to the far corners of the earth, he ends up in Bali, in a theatre of shadow puppets, where he discovers the true worth of shadows.
A world ruled by machines where no money means no bath in the morning and no breakfast on your table. Thus if you want to exist in this world you must pay for everything.
At Potosi, in Bolivia, we find ourselves plunged in the obscure depths of a mine. And this obscurity does not dissipate, or only furtively, yet only in a light made mainly of words. But these words themselves, contrary to many “films of mines”, evoke little of the labour of the miners, or only obliquely. This mine presents itself more as another archaic foyer, a place of pagan worship with its unexpected luciferian alters, or as a cavern conducive to welcoming and protecting ambiguous tales. The treasure that this mine holds, as we have come to understand, is no longer the precious ore painfully extracted from its core, but the memory of the suffering itself, right up to the unseemly welcoming of tourists. This magic is shown by its title, here lies the treasure slowly unearthed by the respectful, affectionate and playful attention of Andrei Schtakleff. And we are grateful for this
The main subject of the film is the unexpected arrival of the period and the protagonist’s perception of other people’s reactions towards her ‘condition’. As soon as the M arrives, the protagonist realises she is completely unprepared, since there are no menstrual pads or tampons in her purse. With that, an absurd mission filled with obstacles begins. She tries to keep the ‘red waterfall’ gushing between her legs hidden, which symbolises overthinking and a panicky state of mind. Through the protagonist’s actions, the author is questioning society and its relation to the individual. She also questions the attitude of the society towards period and how the individual deals with the same red taboo subject.