Person
A schizophrenic boy witnessess the killing of a deer in the forest and starts running back home. A myriad of strange occurrences along the way worsen his condition. The safety of his home is only an illusion, and a series of visual stimuli forces him to go back to the beginning of the story in order to try and change the sequence of events.
In times of an ongoing fierce controversy surrounding the polemics of when life begins, a doctor at one hospital faces a simple, but unsolvable question, when does death begin?
A modern take on the Little red Riding Hood fable
While the battle rages around an abandoned town, the remaining citizen fights his battle with loneliness though his daily rituals.
A love story with a happy beginning and a sad ending, set in a computer game, a scope whose programming and limitations remind of social norms and boundaries, and which leaves the protagonist very little chance of fighting for the desired direction in life.
Which image is real: the one staring at us from the mirror or the one standing in front of it? In hallways filled with illusions, a simulacrum behind the looking glass, he is trying to find out if he is looking at a stranger or a hidden part of himself.
As though in a dynamic pinball game, the trajectory of the ball after launching is undetermined. The player’s actions direct the ball, make sense of its movements, leave their trace, but not in the long run.
The Arcadian atmosphere of a hazy underworld hosts unusual characters: an Illusionist, a Civil Entity, a Wooden Puppet and a silent, but dangerous Swordsmen. Their mysterious experiences are an allegory of the relationship between the now extinct tradition of European combat swordsmanship and the doctrine of pragmatic political action. Is the end of the allegory also a beginning of an instructive misunderstanding? The film is inspired by the motifs from the books Flower of Battle (1410) by Fiore dei Liberi and A Dialogue in Hell between Machiavelli and Montesquieu (1864) by Maurice Joly.
Jerky but smiling characters from this short film will take the audience through this animated pageant inspired by a book by Thomas Hobbes called The Leviathan, written in 1651.
A schizophrenic boy witnessess the killing of a deer in the forest and starts running back home. A myriad of strange occurrences along the way worsen his condition. The safety of his home is only an illusion, and a series of visual stimuli forces him to go back to the beginning of the story in order to try and change the sequence of events.
Little White Crow is gawked at and ridiculed by her flock for being different. But when pollution causes turbulent changes in their environment, it is the little White Crow who helps the flock find a better home.
In times of an ongoing fierce controversy surrounding the polemics of when life begins, a doctor at one hospital faces a simple, but unsolvable question, when does death begin?
A modern take on the Little red Riding Hood fable
While the battle rages around an abandoned town, the remaining citizen fights his battle with loneliness though his daily rituals.
A love story with a happy beginning and a sad ending, set in a computer game, a scope whose programming and limitations remind of social norms and boundaries, and which leaves the protagonist very little chance of fighting for the desired direction in life.
Which image is real: the one staring at us from the mirror or the one standing in front of it? In hallways filled with illusions, a simulacrum behind the looking glass, he is trying to find out if he is looking at a stranger or a hidden part of himself.
Everything is grey. The sun has not risen for years. A legend circles the city: paint the sun a thousand times and it will rise again.
As though in a dynamic pinball game, the trajectory of the ball after launching is undetermined. The player’s actions direct the ball, make sense of its movements, leave their trace, but not in the long run.
The Arcadian atmosphere of a hazy underworld hosts unusual characters: an Illusionist, a Civil Entity, a Wooden Puppet and a silent, but dangerous Swordsmen. Their mysterious experiences are an allegory of the relationship between the now extinct tradition of European combat swordsmanship and the doctrine of pragmatic political action. Is the end of the allegory also a beginning of an instructive misunderstanding? The film is inspired by the motifs from the books Flower of Battle (1410) by Fiore dei Liberi and A Dialogue in Hell between Machiavelli and Montesquieu (1864) by Maurice Joly.