During a PowerPoint presentation, statistical diagrams are breaking free from their restrictive coordinates. A trip into the sensual world of statistics begins.
- Documentary
- Making of
- Non-narrative
Technique
During a PowerPoint presentation, statistical diagrams are breaking free from their restrictive coordinates. A trip into the sensual world of statistics begins.
In a city of drawn characters, we witness the arrival of an entity of unknown materiality. With a mysterious presence and its exotic allegories, it starts to enchant people, awakening their most insane senses.
If Viking Eggeling had been able to redo his well-known film entitled Symphonie Diagonale (1924) in high definition and 16:9 format 85 years after it premiered, the result might look something like Machination 84.
The year 2100. In an effort to combat overpopulation, the postmortem social network “Anvil” is released. A fusion of both Japanese and Belgian comics inspirations and sensibilities, such as Ghost in the Shell, Akira or Peeters & Schuiten’s work. “Anvil” invites us on a journey through the eyes of a young woman in her final moments on earth.
Girls are weird. Babies are weird. Bodies are extra weird. Las del diente is a film about now, a time when women are tired to choose between having kids and their careers.
Official Intro for Kurtzfilm Festival Hamburg, 2021
An animated video for the song “Umi” by Kuchiroro, from the album Everyday Is a Symphony.
How can we make festivals truly festive—for everyone? Join us for an essential CEE Animation Experience webinar dedicated to Keep Festive, a new international initiative committed to creating safer, more inclusive environments at animation industry events. Guest speakers will present core values, practical tools, and real-world protocols developed to prevent sexual harassment and unsafe situations, from establishing a Code of Conduct to training staff and managing sensitive cases. Aneta Ozorek (Kaboom Animation Festival) Artistic Director of the Kaboom Animation Festival (Netherlands), film curator and education expert. Extensive industry experience in organization of film events, educational workshops, exhibitions and festivals. Board member of REX Animation Festival (Sweden) and Short Film Conference. Member of European Children Film Association. Illustrated six books for children. Anastasiya Verlinska (LINOLEUM Festival) Director of LINOLEUM Contemporary Animation and Media Art Festival (Ukraine) since 2016. Previously project manager at FILM.UA Group. Organizes screenings of Ukrainian and international animation as well as educational projects for the local animation industry. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.
A music video for a song On a Blacjk Horse by Jana Kirschner.
On a small island a bunch of exotic creatures run across each other.
Currents of electricity were analysed and introduced into a human host via electrodes. The visual material was then animated and mixed with M. Bense’s text Technical Existence (1949).
The music video of Iam Twisqis re-creating an urban playground by animating shapes, forms and colours extracted from the original buildings.
I’m Not There is a debut project of Zagreb-based designer and animator Mirta Filipović. Only a few months after her first encounter with 3D animation, she embarked on a mad attempt of making an animation video for the Zagreb-based band Paul The Walrus.I’m Not There is a result of a year and a half of sleepless nights, existential ponderings and questioning why would anyone ever try and make an animated video with only three months’ experience in animation. This animation is a story about power, who has it, who doesn’t and how those who seem to have it nevertheless account to someone greater than them. Hands, eyes and mouth are used as symbols of power and submission. Hands hold power and can shape the world as they please, while eyes and mouth are sensual organs that can only observe and receive impulses.
Exploring the lag between recording analogue drawings and projecting them onto a queer performer to create dense feedback loops to use AI to mediate these transformative re-presentations.
Short animated concept film for HONDA. Shown at the Tokyo Motor show 2019.
Music chairs. And wardrobes.
The Green Animation Guide was released at MIFA and is the first international reference guide for sustainable practices in animation. It provides peer-driven actionable recommendations tailored to the needs of studios, producers and artists. The guide is a collaborative effort led by Ecoprod, Green Film and Cine Regio. The webinar combines a presentation of the guide and inspiring case studies. Alissa Aubenque (Ecoprod) Head of Operations and International at Ecoprod (France). Committed to empowering film and TV industry to reduce environmental footprint. Background in international production. Led development of resources like the Green Animation Guide. Adrien Roche (Ecoprod) AI and International Projects Manager at Ecoprod (France). Manages StepUP training programme in partnership with Eurimages, as well as international projects focused on animation and AI, including guides and resources for the sector's environmental transition. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.
This music video is a computer-generated animation made in an open-source program Golly. The program is used as a simulation of cell growth. The background is made with animated objects in the scanner. The story follows the lyrics of the song. First, the growth seems unlimited, then a peak comes, we break and vanish and again and again, the game of life. Behind this circle, an everlasting nostalgia is present.
It’s always tax season. Made with lipstick, coins, cigarettes and other things. This film is #9 of the Area 52 film collection.
A music video.