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Clip for the opening song of Lenka Dusilová’s latest album called “River”. The listener in “River” travels through time, space, bloodstream, structure, own history. The river cleans the ballast, eats the bottom so that everything can sink again and one can see things in new contexts. Water becomes the agent of all processes. It opens, cleans, until finally it shows everything.
Kukuschka is a bird who follows the sun. It seems as she almost can touch it but the Sun is still far away. Suddenly she is not alone any more but for two it’s even more difficult to keep going so fast.
An abstract visualization of Japanese poems called Haiku. Haiku employed in Kigo presents the value of common, everyday things whose beauty is the source of one’s fascination.
It’s ten o’clock. A family sits down at the table. It’s dinner time.
Iris is a girl who fell in love with her own reflection and one day disappeared in the bathtub. Inspired by the Narcissus myth. This Greek hero has become the first person in the world to comprehend art and the first person to fall in love with an image rather than the reality. His is hence a story about vanity, as well as about the perception of art. The motivation of this film is to refocus on the female character, Iris, and to retell the old story from her point of view in the social media era.
The fight between the squirrel and the big poster placed in front of her house that blocks the sun.
It’s calm and peaceful above the clouds. But chaos lurks in the distance and each night, it draws closer.
Currents of electricity were analysed and introduced into a human host via electrodes. The visual material was then animated and mixed with M. Bense’s text Technical Existence (1949).
Following an explosion, a mysterious and elegant elderly woman wanders deserted city streets, recalling what was and what could have been.
The music video of Iam Twisqis re-creating an urban playground by animating shapes, forms and colours extracted from the original buildings.
As the night comes, the journey begins. Running rushing, racing. Unbound from time and swept away by the night’s surreal cascade of lights, we leave day-life behind.
Sometimes saying ‘I love you’ is difficult.
A pale black-white photographv of a city square from last century. Accompanied by the music from a hurdy-gurdy, we are focusing a house. In the moment everything turns to be alive: inhabitants of the house and passers by.
Voiceless is an animated videoclip for the first Hearsh song. An attempt on seeking fresh esthetical paths in 3D computer graphics, based on atmosphere and gaining subjective meanings through visual associations. The objects shown in the movie represent different concepts that hold meaning in our lives and to which we commit our attention. Those meanings and that attentions are verified when with time said concepts fade away and dissolve.
Music chairs. And wardrobes.
This is the story of a poor fisherman, who wanted and was looking for happiness. A quiet family life, filled with the love and care of a woman, was not enough for happiness. Happiness is luxury, wealth… thought the fisherman.
The plains are populated with beds. Growing Plains is a sensory snapshot of an uncanny landscape where humans have an alternative biology. There is a system, refined over generations, an exchange between human and bird. The relationship between birds and humans are crucial for both of their survival.
A music video.
While the battle rages around an abandoned town, the remaining citizen fights his battle with loneliness though his daily rituals.