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An elderly man is looking after his paralyzed wife. Despite his old age and health problems he’s doing his best to relieve her suffering, which is getting worse day by day. His daughter helps him, trying to balance care with her work in the hospital and family life. Everyone has a different view on how to properly care for the sick, which often causes arguments.
I’m Not There is a debut project of Zagreb-based designer and animator Mirta Filipović. Only a few months after her first encounter with 3D animation, she embarked on a mad attempt of making an animation video for the Zagreb-based band Paul The Walrus.I’m Not There is a result of a year and a half of sleepless nights, existential ponderings and questioning why would anyone ever try and make an animated video with only three months’ experience in animation. This animation is a story about power, who has it, who doesn’t and how those who seem to have it nevertheless account to someone greater than them. Hands, eyes and mouth are used as symbols of power and submission. Hands hold power and can shape the world as they please, while eyes and mouth are sensual organs that can only observe and receive impulses.
Jonathan lives with his sister, his mother and also some men. They all have the same face and nest in closets, drawers, TV set…
A lonely man, a cigarette, a hotel hallway – this is the setting for an ironic take on Sinatra lore. In I’m a Star! two related worlds come together: the comic strip Frankieboy by Stefan Stratil and Peter Friedrich, and the music of Louie Austen.
As the night comes, the journey begins. Running rushing, racing. Unbound from time and swept away by the night’s surreal cascade of lights, we leave day-life behind.
A woman desperately tries to keep up with her partner’s unusual desires.
When a woman finds her partner infatuated with their kettle, she is thrown into a desperate journey of self-transformation to try and keep the relationship going.
Two beasts attacked and killed a pig. They act innocent, but the past cannot be forgotten.
Confronted with doubt and feelings of emptiness, drunk with unhappiness and seeking to drown his sorrow, Barnabé experiences a curious metaphysical visitation; lightning strikes the spire of his church and a mysterious bird appears, forcing him to reconsider his life
It’s an animal with memories. It doesn’t have a tail, it has protruding eyes and strong extremities. Its skin is slimy. I try to catch it but it’s impossible. It always gets away with ease. Secure in its ability to escape, it did not expect to be kicked. The force of the blow robs it of all grace, it no longer exudes strength. It resembles a piece of fabric being blown in the wind. It has teeth, big enough to be noticed. They are all still accounted for. It’s a frog. It is accompanied by four beings. They do not have a tail, but they do have arms and are not humans. They love to eat at the table. While they eat, they do not talk. They are not frogs but they could easily be mistaken for one of them.
Sometimes saying ‘I love you’ is difficult.
The night is the place where characters move, and images rhythmically dissolve from faces to the night stars, in a smooth transition between images and words.
He is a magician. She is a firefighter. Isolating themselves from the chaos of a world in turmoil, the two lovers live in a crane basket high in the sky, where they go about their daily business. Their challenge is to keep their heads, here up above it all, while everything is falling apart down below. But when reality calls – when fires need quenching and people need entertaining – how can they best make themselves useful in a world gone off the rails?
It is a simple and bitter-sweet story, a story that touches any age, that we want to keep to oneself as a secret, a story carrying many feelings, a story which, finally, we want to share with everybody: it is the story of life.
Every time Lucy is called ‘Mouse’ by her Mum, she turns into a real mouse! What is Lucy going to do?
Everything that is alive is hungry; seed is hungry for light, bird is hungry for flight, man is hungry for the touch of another. The seed of longing grows into what feeds us.
For Christmas, a little girl gets wall bars instead of a hula hoop, which she asked for. Animated short film based on Zita Murányi’s poem.
Luiz Stockler, a multi award winning Animation Director talks about in-between works and on how to not become stuck.
The fourth installment in the beloved “Toy Story” franchise achieves a level of detail and realism unseen in any Disney/Pixar project yet. See how it all came to life at the legendary Pixar studios, step by step: beginning with the story and artwork stage, onto 3D computer modeling, shading and surfacing, layout, voice acting, character animation, simulation, lighting, effects, scoring, sound mixing, and the final render.
A Grandmother loses her five senses one after the other until she transforms into a wooden chair.