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Set in the present day, Native American protesters confront the crew of an oil pipeline project, just down the hill from the land of their ancestors. The grandfather evokes the ancient tale of their Creation myth, reminding all of us that the challenges facing humanity are universal, and that we need to find our place in the great circle of creatures.
A garden party is held in the park of the baroque castle: the landscape is idyllic, the company is cozy, the food is aristocratic, and everything is traditional and refined. At the same time, in the other part of the garden, cages rattle, ropes rustle, and foxes whine. From the initial idyll, the film slowly moves to another level of pleasure, and a cruel game of “fox throwing” begins, which becomes increasingly bloody and inhumane.
A hypnotic journey into the darkest of forests. Within an atmosphere of ambiguity, the phantasmagoric suggestion of figures, faces and ominous sound, in interaction with the landscape, invokes a space for immersive personal interpretation. An unforgettable nightmare.
A short, poetic animated story about respect for the deceased.
A life insurance company uses an AI algorithm to determine the risk of a new applicant. The subsequent denial sparks a period of introspection for the individual in question.
When a lifelong friend departs, a stubborn old man has to face his inner fears in order to restore peace to his mind.
Alula constantly runs away from home to explore a forest nearby much to her father’s chagrin. He drags her back home and orders her inside their house in a very authoritative manner.
People get lost in the deep forest and the chances of getting out are minimal, but not hopeless. The only way to escape is to go on a journey and respect the forest. But the hero of this film failed to do that, who disrespected the deep forest and now he has to pay for it.
A foreign body lives its own life. You’re not able to get rid of it, it’s always with you, you need it. Caress that odd part of yours, don’t try to shave its long tousled fur. This is a story about something that’s considered to be strange at first but turns out to be the dearest thing to us. About the transformation of inside and outside.
A girl tries to get away from the shadows of the past. During her odyssey, she becomes more and more a shadow of her former self. She finally reaches the point, when there is no escape and finds something, that had been lost a long time ago…
On the one hand it’s dirty work and on the other hand gorgeous product. This is a film about making food and consuming it. The producing part itself is not always as clean as we hope, yet we turn the blind eye as long as the end product looks desirable enough. The film plays with the fantasy of making food and about the satisfaction we get when having delicious products.
Two characters meet and confront each other in a merciless battle. The story is revealed through a profusion of black and white drawings, evoking an etching in perpetual movement. Brief gestures are repeated in loops, to the point of exhaustion. Obsessive and hypnotic.
An essay about the constant flows of life, a self-portrait of its own process, an improvise on Bach, an investigation on plasticine.
The Arcadian atmosphere of a hazy underworld hosts unusual characters: an Illusionist, a Civil Entity, a Wooden Puppet and a silent, but dangerous Swordsmen. Their mysterious experiences are an allegory of the relationship between the now extinct tradition of European combat swordsmanship and the doctrine of pragmatic political action. Is the end of the allegory also a beginning of an instructive misunderstanding? The film is inspired by the motifs from the books Flower of Battle (1410) by Fiore dei Liberi and A Dialogue in Hell between Machiavelli and Montesquieu (1864) by Maurice Joly.
A lonely white flower grows surrounded by other plants and struggls every day to survive.
Every morning, a bearded man must complete a strange and difficult ritual to prepare himself for the day ahead.
In an ordinary building, life goes on like in a beehive. Suddenly the geometry is broken by a leap into the void.
Being a poetic experience, the film unfolds a plant fresco at the edge of intimacy and fantasy, where the eye, like the one spread by the butterfly, wanders from specimen to specimen. In the garden of a dream, the living metamorphoses and beings unveil.
On the cruise that he was supposed to take his annual break from life, Jadran experienced a tragic shipwreck during which he lost consciousness. Wake up in the middle of the ocean, all alone.