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Surreal, slightly experimental and excellently animated film Nothing You Need to See takes place in a subway train carriage. A young passenger has got problems with his face. It is rotating on his head as a mask and constantly showing its other side. The author suffices with gentle pencil strokes and three colours to create a very original work within three minutes of running time.
It is bitterly cold in the inner city neighborhoods, and yet people come together. I watch them form a line on the horizon. We wait for something to happen. But nothing does. We have come together to witness an event. To participate in a spectacle. To see and be seen.
A music video.
Three diffferent stories about a relationship between a father and son, taking place in different social milieux.
Everyone goes home from the playhouse once. A child waits for her mother in vain, so he starts looking for her. Over varied locations we see two fates, two lives, which may never cross each other.
Film inspired by the theoretic work of George Berkeley and basics of synesthetic perception. It’s a game of imagination provoked by sound. Individual sounds penetrating into the apartment of the main character, relieved of their visual designates, evoke images distant from its origins.
What happens when the dream takes control over reality?
A one-eyed has-been TV presenter hides away in a hotel room with his dead sidekick to watch reruns from their better days. “Let’s revive some of our moments now” he says to the corpse in his arms. “It’s OK, I’m just glad you are here.”
Videoclip for a band No Name.
The short animation Nighthawks exposes the multi-sidedness of human nature. The director raises doubts about the distinction between human and animal. To her, the borders between species are dubious. She believes people can transform themselves into other creatures, as circumstances require.
An alienated and lonely man goes to take a rest and dreams about the same torment and feeling of inability to bear the burdens of life that torment him even when he is awake. He dreams of his ups and downs, as well as fears which turned into symbols that also came from the rigid everyday reality.
A security guard’s nightly ritual – a Tetris game – is interrupted by unexpected technical issues. One of the surveillance cameras breaks down, and the game sets its own rules.
This film explores how neighbours sharing a courtyard are both shaped by, and indifferent to, domestic violence.
A badger lies motionless on a local road. A police patrol approaches the body in the dark. They soon realise that the animal is not dead; the badger is dead drunk! When the police attempt to drag the creature off the road, he wakes up and things take a strange turn.
A music video for Nevermen who consists of TV on the Radio’s Tunde Adebimpe, Faith No More’s Mike Patton and Doseone.
The awkward hero stumbles over a long forgotten piano. Music leads him from his rund down existence out into the city life. There he plays a last funeral march to all the deadbeat figures on the sidewalk.
The director interview with Natasha Cetner.
Mark has just lost his job and his day is about to get a whole lot worse. A domestic tragedy exploring the surreal nature of losing someone you love.
I was playing basketball until I entered college. During a basketball game, when I stole an opponent’s ball and attacked in haste, I felt my body started moving as fast as an army brain. I still get this feeling sometimes, even now that I no longer play basketball.
Somewhere in Eastern Europe due to an accident in a laboratory, the hero gains superpowers that he does not want. The hero does not want to be a superhero, to save the world from villains, he wants to live as before without changing anything. The situation is complicated by the fact that while he gains the awareness of his power, it causes problems in his everyday life. While he is stuck in the elevator, he meets a girl who likes him and wants to help him.