A film about smartphone addiction. It shows different dreary tableaus from everyday life.
- Drama
- Experimental
- Non-narrative
Tag
A film about smartphone addiction. It shows different dreary tableaus from everyday life.
What is this force that defies gravity, a force so powerful that drives plants to reach up and imbues us with the strength to sail against the current? If we let go to its upward motion, it carries us to a wonderful ease. Raise your sail and catch the leeway…
A Holocaust survivor reads a letter he wrote to the pig who saved his life. A young schoolgirl hears his testimony in class and sinks into a twisted dream where she confronts questions of identity, collective trauma, and the extremes of human nature.
An intimate conversation between one’s true self and the body they’ve been given. Based on the poem Letter to My Body, written and read by Joy Ladin.
A woman trapped in her memories receives a letter that makes her face the fears of her past.
In the aftermath of a zombie outbreak, the zombies have been cured and exiled to secluded camps. A prejudiced journalist decides to prove that they are not fit to be rehabilitated.
In a kitchen, a mother and a child struggle to establish dialogue.
Lesley the Pony goes on a fun-filled adventure through the town of Merryville while making lasting memories with his friend, The Duke.
Leopoldo is an old man living in the center of Madrid and he has been going to the same bar every day for the last 12 years. This bar is the last remnant of his old life. When it is shut down, the loneliness he had been avoiding catches up to him in the shape of Mauricio. This humanoid pigeon seems to suffer from verbal diarrhea, and it will try to talk Leopoldo into accepting his fate. Death? No
Clip for the opening song of Lenka Dusilová’s latest album called “River”. The listener in “River” travels through time, space, bloodstream, structure, own history. The river cleans the ballast, eats the bottom so that everything can sink again and one can see things in new contexts. Water becomes the agent of all processes. It opens, cleans, until finally it shows everything.
The film is about the process of unlearning, an act to detach from a system which has formed the basis of the one’s reality for so long. The director, though right-handed, engages both of her hands in the production of this animated film. The learned hand and the other sets out to capture the rhythms of traditional schooling, and in the process breaks free from it. It is a return to the corporeal, to carefully consider each motion in time and its consequence.
If you want the dough to rise, mix flour with yeast and milk. Then put the dough in warmth, so it rises a bit. Finally knead it well, place in the baking tin and put in the oven. Be careful, or the dough will fall.
This is the story of Svojislav who was accustomed to walking the way he was taught by his mother. However his four friends each try to teach him their style of walking convinced that theirs is the best way. Svojislav has a hard time getting away from his “redeemers” but having done so, he continues walking the way he always has.
Huge sailor gets an autumn leaf from a small girl. It reminds him of his home. How long he has not been there? He runs to meet his old parents. What will he find there?
A choreographed vision of the future.
The phone rings. “Your food is ready, sir.”
The 24 Hours of Le Mans, 1955. 300.000 spectators are watching from the sidelines. It is 6:00 PM when Pierre Levegh’s car ploughs into the spectator stands, scattering the crowd with his car engine’s hot debris.
While he is fascinated by every resonating thing, a boy must face his greatest fear: a storm. He’s then going to use his gift for rhythms and sounds to beat his phobia.
Dog in the land where the good life takes you. – Brian Smee
Layers Of Flesh by Jenny Jokela.