Language

English

41–60 of 410 films

  • by Ádám Felszeghy, Barbara Sigmundová

    Hungarian producer Ádám Felszeghy will take us behind the scenes of the animated documentary Pelikan Blue (2023). He will share insights into its development, production process, and the challenges the team faced. The masterclass will explore the creative and technical solutions used, from animatic to final post-production, revealing how the film evolved from concept to completion. Ádám Felszeghy (ULab) Hungarian producer at ULab (powered by Umbrella). Produces feature films, documentaries, shorts and animation. Barbara Sigmundová Slovak co-host and moderator for CEE Animation Experience. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Sepideh Farsi, Tomas Danay, Juraj Krasnohorsky

    Masterclass will focus on the production of the film THE SIREN and a description of using the Motion Capture Technology. The focus of this masterclass will be on the feature-length animated film THE SIREN, on which a large part of the animation of the 3D characters was realised using Motion Capture technology through the Slovak company Artichoke and the animation studio Blue Faces. This is the first ever project of this size to be realised using this technology in Slovakia. Sepideh Farsi Born in Tehran, later moved to Paris where she studied mathematics but soon began filmmaking. After several short films, directed documentary "Homi D. Sethna, Filmmaker" which won several awards. Documentaries "Harat" and "Tehran Without Permission" premiered in Locarno. Feature films "Dreams of Dust" and "The Gaze" screened at Rotterdam. "The House Under the Water" won NETPAC Award. Latest film "The Siren" had world premiere at Berlinale. Tomas Danay (Blue Faces) Graduated in animation at the Film and Television Faculty of the Academy of Performing Arts (VŠMU). Main animator at Blue Faces studio. Worked on many foreign films (Green Hornet, Xibalba, Asura) and games (NBA 2k16, Shadows: Awakening), as well as commercials and music videos (Lil Dicky – Pillow Talking). Teaches computer animation at VŠMU, programme director of Festival BAB (Bratislava Animation Biennial). Juraj Krasnohorsky (Artichoke) Producer based in Bratislava. With Henrieta Tsvangová founded Artichoke (2010), producing fiction and animated films. Co-produced short "Superbia" (2016) which premiered at Semaine de la Critique in Cannes. Co-producing "White Plastic Sky" and stop-motion feature "Of Unwanted Things and People". EAVE graduate, member of Slovak Association of Animated Film Producers, board member of VAF, initiator/co-organizer of CEE Animation Workshop. Head of studies for CEE Animation Workshop. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Susanne Freese, Anna Vášová, Katarina Kerekesova

    What made a German distributor pick an Eastern European IP? What does it take to successfully pitch to German decision makers and to what extent can it serve as entry point to the wider European market? Susanne Freese (OneGate Media) Senior Manager Kids & Family at OneGate Media (formerly Studio Hamburg Enterprises) since 1998. Oversees licensing/co-financing of feature films, series and animation. Works closely with NDR, ARD stations and Kika. Also responsible for programme acquisition for national and international TV/VOD/DVD distribution. Anna Vášová (13ka) Started as a script executive for Czech TV. Lectured at the Academy of Performing Arts. Headed the script department at Czech TV. Founded 13ka production company focusing on auteur-driven films. Katarina Kerekesova (Fool Moon) Completed studies at Animation Film Department of VŠMU Bratislava. Founded Fool Moon (2009). Director and producer of Slovak TV series "Mimi and Lisa" and "The Websters". Executive Director of Slovak Association of Animated Film Producers. Lecturer at Animation Film Department in Bratislava. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Zsuzsanna Kreif

    Starting out as a director after graduation, developing your own projects is not a smooth process anymore. Zsuzsanna shares her experience about the development attempts of Dino Doom on Desert Planet, discussing the various development stages, pitch forums, residencies abroad, and balancing applied work with own creative projects. Zsuzsanna Kreif Freelance animation director and illustrator based in Budapest. MOME graduate. First film "Limbo-Limbo Travel" (co-directed with Bori Zétényi) was selected to Sundance, Annecy, Clermont-Ferrand and was Oscar-eligible in 2016. Directed 13-episode satirical TV series "Candide" (2015-2018). Currently developing new personal projects and teaching at MOME. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Lucija Smodiš, Petra Gajžler

    This webinar examines how animated films can be curated for young audiences through pedagogical exhibition, school-oriented distribution, and structured educational activities. They explore how guided tours, moderated screenings, contextual discussions, and creative workshops can enrich learning and deepen children's engagement with animation. Lucija Smodiš (StopTrik IFF) Curator and producer in contemporary art and animation. Initiator, programme collaborator and producer of StopTrik International Film Festival (Maribor/Lodz). Program director of GuestRoomMaribor residency (2014–2024). At DSAF establishing international artist-in-residency programme for animators. Petra Gajžler Film pedagogue, curator and distribution manager. Coordinates school screenings and develops educational materials for animated films. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • little british orphan

    2024 Adults 1 min

    by Joe Kady

    Explore the heartwarming journey of a little British orphan with Mummy Joe, filled with resilience and hope in this charming animation.

    • Tragicomedy
  • by Lena Greene

    The filmmaker and photographer Lauren Greenfield, best known for the documentaries Generation Wealth (2018) and The Queen of Versailles (2012), has been poking at the ugly underbelly of consumerism for more than 25 years. Through her unsparing lens, the latest incarnation of the American dream has been revealed in all its blingy, exploitative glory, particularly when it comes to its toll on women and girls. In an interview with Topic recorded in late November of 2018, Greenfield talks about the major themes running through her work, and what she calls "the ultimate cost, and degradation, of capitalism."

    • Documentary
  • by Paulina Zacharek, Arturo Tornero Aceves, Birgit Heidsiek

    Why is green filming the future of the film industry? What are the rules of green puppet making? Using their knowledge and expertise, we will talk about practical advice that can allow planning and practicing solutions neutralising the film industry's impact on the environment. The key point is a discussion about a unique green guide prepared as part of StopMoLab by MOMAKIN. Paulina Zacharek (MOMAKIN / StopMoLab) Co-founder of Momakin, responsible for cinema distribution and development of film projects, professional education for stop-motion industry. Creator and head of StopMoLab. Board member of Polish Producers Alliance (KIPA). Co-organizer of Animarkt Stop Motion Forum. Arturo Tornero Aceves Scriptwriter, animator, compositing artist specialized in stop motion, 2D and motion graphics with multidisciplinary and socio-environmental approach. Working on biodegradable alternative to silicone for stop-motion production. Birgit Heidsiek (European Center for Sustainability) Founder of the European Center for Sustainability in the Media World. Publishes Green Film Shooting magazine. Green Cinema Consultant for German Federal Film Board. Author of The Green Cinema Handbook. Two-time recipient of German Sustainability Award. TEDx speaker. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Film about animation
  • by Evan Chester

    This video serves as a beginner’s guide to the very famous and influential Czech animator Jiří Trnka. His films include The Hand, The Czech Year, A Midsummer Night’s Dream, Old Czech Legends, and Cybernetic Grandma.

    • Film about animation
  • by Kaspar Jancis

    We are glad that we could screen an extraordinary stop-motion piece, Antipolis by Kaspar Jancis in our Masters Competition Programme at the 11th Primanima. The Estonian filmmaker's clay figures are telling the story of an incompatible conspiracy theory about the shape of planet Earth. He worked on many audible and visual details of Antipolis with artists and friends from Hungary. At the 11th of Primanima Kaspar and Mattia Sinigaglia also gifted our audience with a surprise at the Award Ceremony.

    • Film about animation
  • Animafest Insights: Nikita Diakur

    2020 All audiences 11 min

    by Nikita Diakur

    Nikita Diakur got a special jury award for his film "UGLY" at Animafest 2017., and then a year later he came back with "FEST“ and won The Golden Zagreb Award for creativity and innovative artistic achievement: the jury praised his film for bringing fresh perspective, digital innovation and creative use of contemporary technology while referencing modern subcultures.​

    • Film about animation
  • by Priit and Olga Pärn

    Meet Priit & Olga Pärn, directors of 'Life Without Gabriela Ferri' (2008), 'Divers in the Rain' (2009) and 'Pilots on the Way Home' (2014). Interview in English.

    • Film about animation
  • by Joanna Quinn

    Joanna Quinn completed a foundation course in art at Goldsmiths College, University of London before studying for a BA in Graphic Design at Middlesex University. There she first discovered the magic of animation, quickly adapting her unique drawing abilities to produce beautifully fluid and dynamic animated passages. In 1985 she founded Beryl Productions with her partner, producer/writer Les Mills, and the couple have collaborated ever since. Joanna is now a highly acclaimed figure in world animation, having won over 90 international awards, including Emmys, Baftas and Jury prizes at all the major animation festivals. Two of her films have received Oscar© nominations. She has been honoured with retrospectives of her work in all over the world including Rome, Rio de Janeiro, New York, Stuttgart, Zagreb, Hiroshima, Toronto, Montreal, Gothenburg, Bradford, Cordoba, Tampere, Ottawa, Valencia and Taiwan.

    • Film about animation
  • by Nick Park

    Go behind the scenes with the real people that voiced your favourite Creature Comforts characters. Nick Park’s Creature Comforts took the classic documentary style and applied it to the lives of wild animals and pets, matching a cast of clay characters with human voices to charming effect. Originating from Nick’s 1989 Academy Award®-winning short film, Creature Comforts was unique for using unscripted vox-pop interviews with the British public in a stop motion series that has become an Aardman classic.

    • Film about animation
  • by Amy Kravitz

    In this presentation, experimental animator and educator Amy Kravitz discussed the process of creating, embracing, fragmenting, abandoning, shattering, and obscuring narratives to find what feels genuine and truthful.

    • Film about animation
  • by Nick Park

    Aardman mainstays Nick Park and Merlin Crossingham visit BFI Southbank to talk about their work, including the new Wallace & Gromit adventure Vengeance Most Fowl. Four-time Oscar-winner Nick Park created the characters Wallace and Gromit at film school. He would go on to direct Creature Comforts, Early Man and, with Peter Lord, Chicken Run. He is a director of Aardman Animations and one the world’s leading stop-motion animators and filmmakers. The multi-talented Merlin Crossingham has worked on many of Aardman’s greatest films and is Creative Director of Wallace and Gromit at Aardman. He is also the director, with Nick Park, of the forthcoming Wallace and Gromit adventure Vengeance Most Fowl. They will discuss their careers at Aardman and share their insights into this glorious form of animation.

    • Film about animation