Genre
The sounds of women’s rights protests happening all around Poland turned into a dark revenge tale inspired by the slavic folk culture, a collaboration between director Mateusz Jarmulski and musician Resina.
Three Renees go on a quest to find God, who is also Renee. As they traverse the mountains and valleys of Renee, they discover all the great joys, sorrows, and mysteries of being Renee.
Remote Life Drawings is an animated collage that visually explores the unique neighbourhood of Taipei Artist Village (TAV), situated at the heart of four distinct districts in central Taipei. Through morphing animation, I connect these districts, capturing the complex, ever-changing atmosphere surrounding the village. The abstract imagery reflects the harmony and fluidity between these areas, offering a glimpse into the dynamic and multifaceted environment of TAV.
Red of the Yew Tree is the crossing of a feminine and universal imagination, an odyssey inked in fine point. A pheasant hunt is the occasion of a voyage that is at once delicate and mightily evocative, under the breath of maternal love and the transmission of a shared feminine condition. It is a vast intimate adventure unfolds, as equivocal as it is precise, through an intuitive hunt and a recovered collective memory.
One trip of an urban loner seeking inner peace among blocks, garages and parking lots of Prague suburbs, oscillating between the calmness of abandoned underground vestibuls and an earthquake, between a grawl and a choir singing.
On her latest love song, “Love Theme, ” Pynkie describes a different type of dilemma – one where she pines to be with someone that doesn’t quite feel the same way, but she hopes to change their mind.
A hungry man, who can’t afford to buy cookies, discovers through unfortunate coincidence a dark secret, that was never meant to be seen by any witness.
Four flawed friends travel to the tropics where things go wrong.
In this presentation, experimental animator Jon Gillie will discue his early work in moving image, using analogue and digital mediums. Illustrating with examples, he discussed some influences in his work, approaches to abstraction, and the importance of sketching.
Candaş Şişman, an artist who manipulates human perceptions using different disciplines, talks about his multi-sensory installations that appeal to different senses at the same time, and the production processes of his experience-centered projects.
Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
In this touching presentation, Pedersen describes the creative and visual processes behind three of his films produced by Mikrofilm: The folkloric anxiety of The Boyg (2016), The looping limbo of Zolle: Resign (2021) and the nuclear petri dish of Little Boy (2018).
In this MasterClass, the artist Aurora Gasull discussed her fascinating journey through what became known as Visual Music, abstract cinema, absolute cinema…; her personal motivations and tools at the beginning of this path, and their development until today, in chronological order.
This is a film about identity loss in the totalitarian world of computer technology. In a meeting between a human and an artificial being, we can witness the creation of biomorphic reality.
A bird tries to meet a deadline.
A shrew is looking for a new home, with no success. Little does he know, that he’s about to make a discovery that could change the future of his kind.
An homage to a joyful, gay friend who passed away a bit abruptly. To give him a few more minutes and a proper goodbye hug.
Track about futility and disillusionment.
A boy is suffering from a polka-dot disease on his arms since he can remember. Encountering some peculiar events, he discovers a hidden connection between the disease and a religious group.
I created “Playtime” in 2010 as part of The Toronto Animated Image Society’s funded project to bring the Group 11 Painters alive with animation. My film was an homage to the life and art of Jock MacDonald. This film was created with paint and decayed frames of Hollywood trailers glued directly onto the surface of 35 mm film strips.