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IHR (THEM) is the award winning graduation film by Amélie Cochet and Louis Möhrle. It’s a film about a building with an inner courtyard an its inhabitants. While the different characters follow their everyday routines, trash slowly begins to pile up in the courtyard. What seems harmless in the beginning, one night escalates to a total disaster.
Myia and Aristote live from gluglu hunting. These cloud-animals allow them to grow courgettes in the desert. One day, Myia falls in love with one of them
Malcolm Fetcher is a neurotic, middle-aged teacher lost in a dull marriage with his wife of twenty years, Beverly. As he faces an all-consuming identity crisis, their marriage disintegrates and he is forced to express a deep, hidden desire…
A down on his luck mime takes his opportunity to astound an audience ad does it the only way he knows how – badly.
When the wellspring that sustains the ecosystem dries out, its cry for help triggers a process which uses all of the world’s resources to build a tower. This seems to have a destructive effect on the environment, but the tower has only one purpose: to resurrect the wellspring.
This metaphoric story made using various natural materials is set at the seaside. Its director was inspired by the words of a friend dying of cancer: ‘Our life is like a wave of the sea hitting the shore and we are the drops thrown by the waves on the ground.’ The film was his graduate project at the Graphic College Jihlava.
A tiny snobbish tree-frog invites a trio of unusual dinner guests to his splendid treetop mansion: the purple gorillas.
A tragicomic story about an old woman, who, to the horror of her son, is cooking up a meal in the middle of the night for her long-deceased friends. Fantasy, dream or reality? What is the difference? When people get old…
A doctor mysteriously discovers that he is required urgently at the village. He arrives there after a long and difficult journey, only to discover that the village is deserted.
What would we see if we could peek into the soul of the universe itself? What would its feelings be? Is there anything that would fascinate it and matter to it? Is ephemeral life something unique to an empty eternity, or is it a mere glimpse in the never-ending darkness? An abstract, meditative story about all that ever was and ever will be.
A dreamy animated film about man, space, the solar system and a flight to Mars.
On the lookout for polar bears in the Arctic, a wildlife photographer realizes she may have missed more than a shot.
An audiovisual meditation on the theme of the trip.
The hero of the short film finds himself at the base of the tower. We follow his uneasy journey upwards. At the top, he sees something that answers many questions, but raises many more. This story does not end.
In a world of drought, an old man spends his days collecting drops of water to quench the thirst of a dead tree.
As years and years go by, a tiny civilization makes its way upwards.
Wooden knocks are echoing in a frozen landscape when a lonesome man is searching for a tongueling of his own.
Papillon is a man, happy in his unusual job: he is a table man.
The bedroom is an empty place while the garden is full of huge and weird familiar entities. In these spaces, the astonished character begins a disturbing self-analysis.
Ed hates the disgusting eye of his father and so he made up his mind to take the life of the old man to rid himself of the eye forever. (Based upon the novel “The Tell-Tale Heart” by Edgar Allan Poe)