Rabbit’s Blood is a story about a society of two rival groups; sinister cloaked men and neutralist rabbits who have human-looking bodies that live underground.
- Drama
- Tragedy
- Experimental
- Non-narrative
Category
Rabbit’s Blood is a story about a society of two rival groups; sinister cloaked men and neutralist rabbits who have human-looking bodies that live underground.
The rabbits are happy. Nothing awful can happen to them because they are at the top of the evolutionary tree: they have no brain. The rabbits live in the ruins of Rabbitland – the perfect democracy. Every day, its inhabitants go out to vote, and they vote for the same representatives.
Got a problem? Don’t worry, there’s a pill for that! Quick Fix explores taking the easy way out, addiction, and the subsequent struggles that may follow.
Based on Chris Ware’s comic, film shows misadventures in the domestic life of a mouse and a cat head.
Videoclip for Queer Jane’s Gerard Love.
An insight into the question: “What Do Cinematographers Do On Animated Movies?”.
Pilot episode for re-launch of queer comedy webseries Tales From Pussy Willow.
Official Music Video directed by Joseph B. Carlin
Queens of the Stone Age performs in the music video “Go with the Flow” from the album “Songs for the Deaf” recorded for Polydor Records. The features the band playing on the back of a Chevrolet pickup truck driving down a desert highway. Visually, the band is rendered in black and white against a red background.
Cool Cat invites you! To join the world of Pussy Love. Enjoy a show of lust and laziness! The claws are sharp, the soda is sparkling and the fur is getting wet. Romance is kitsch. But even the most jaded cat can still be lost for love.
On her latest love song, “Love Theme, ” Pynkie describes a different type of dilemma – one where she pines to be with someone that doesn’t quite feel the same way, but she hopes to change their mind.
In this talk, Paul Prudence talked about his performance work, which focuses on ways in which sound and generative video can be cross-wired to create live visual-music experiences. He unravelled his process looking at the use of generative graphics combined with sound collage and field recordings to create narrative fictions from the materials of pure abstraction. He touched on his use of expanded projections systems, such as planetarium domes and large screen configurations, to create hypnotic and immersive live experiences.
MASTERCLASS – ARCHITECTURAL FRACTALS by JULIUS HORSTHUIS (NL). “I’ll take the audience through some of the fractal landscapes. We will look at some of the characteristic features of those fractals, almost like we’re watching architectural facets. What creates those features? What is it about fractal math that makes it so engaging? What else is there to explore?” – Julius Horsthuis
Pupa is the story about a boy who is about to begin puberty. His body is ready to make a physical transformation, but in his eyes every grownup is a hideous monster. He fears that he will turn into one of them.
Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.
In this presentation, experimental animator Jon Gillie will discue his early work in moving image, using analogue and digital mediums. Illustrating with examples, he discussed some influences in his work, approaches to abstraction, and the importance of sketching.
Candaş Şişman, an artist who manipulates human perceptions using different disciplines, talks about his multi-sensory installations that appeal to different senses at the same time, and the production processes of his experience-centered projects.
Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.
MASTERCLASS – THE PLEASURE OF MOVEMENT. Wrangling an Infant Technology by JOSÉ-MANUEL XAVIER (PT), with the kind translation of SANDRA RAMOS. “The pleasure of movement is what I feel when I bring strokes, lines, and dots to life. My work method is identical to my way of walking through nature. I advance, step by step, through unexpected paths to discover the unimaginable.”