A man whose physique forces him to look down tries to find love.
- Drama
- Tragicomedy
- Abstract
- Experimental
Category
A man whose physique forces him to look down tries to find love.
Fear is part of our identity, it is our everyday life and we experience it in different ways. We grow up with it, and over time we overcome or suppress it. However, it is always present, transforms itself into something else, follows our steps, and enters our dreams. It is said that fear has big eyes, they grow where we meet the unknown and then, to some aspects of reality, such as time, we give unrealistic proportions. Only when the fear is overcome, the eyes shrink and the picture becomes clearer.
An inseparable girl and cat are on a long journey, playing checkers. The girl keeps winning, until the cat gets a lucky break.
My grandmother was convinced that the only animal that made the same mistake twice is the human being. An essay short film about my very own Internet, a parallel world where memory loss, errors, surveillance and addiction smear everything and everyone.
How does one grow up between an absent Iraqi father and a pervasive Jewish mother? Tossed around by the great upheavals of the modern times, Tim tries as hard as he can to find his place in the world.
Thirty-three internships in thirty-three years and still no job! Kicked out of his place, Jean-Claude finds himself in the street with only five euros in his pocket. Will he know how to use them well?
Starting his social work as a paramedic, young Patrick soon comes into contact with patients who are all suffering from the same problem: loneliness.
The Global Animation Community unites in solidarity with Gaza to form AC4PAL. AC4Pal was created to support the work of Haneen Koraz, an animator based in Gaza who has been running animation workshops with displaced children and women across the region. The project “To Gaza with Love: A Global Anijam” brings together 329 short films from over 50 countries, created by animators, students, and studios in a collective act of solidarity with the people of Gaza.
Butterflies, frogs, and flies celebrate love in all its colors in the trailer of 14th Anibar Animation Festival in Kosovo.
It’s a monodrama of a white-white paper.
The animated documentary by Jitka Skálová and David Daenemark focuses not only on the Munich Agreement, but also on the wider context. Thanks to the commentary of historian Eduard Stehlik, it provides an insider’s view of the Europe that awaited the most tragic years of the last century.
The conversation races through themes of Czechoslovakia’s birth, the relationship between the nations and contemporary social and generational problems, arriving to a reflection on the importance of the year 1918. The visual is framed by an image of characters talking and changes into various absurd or lyrical animated illustrations.
A new animated micro-short film by Sara Koppel. An explicit rush adventure into a gender fluid-persons zone of desires where lust & responsibility is constantly dividing & demanding needs.
A faded memory of a book that was once very close to me.
Making of “Negative Space” de Ru Kuwahata et Max Porter.
This is a story about three kids who find a mysterious bone and their journey in trying to find the creature, that the bone belong to.
For twelve years she ignored sneers and mockery and stood up for her relationship. But that was probably a mistake.
Stop-motion animated satire of modern man on the street and documentary interviews, responding to unseen questioners. The voices of the characters are supplied by everyday people speaking varied regional accents.
Q&A for the Cannes Award-winning animated film and Latvia’s selection for Best International Feature at the 97th Academy Awards, Flow with Director/Co-Writer GintsZilbalodis (Moderated by Marshall Shaffer) at the Angelika Film Center & Cafe in New York City on 10/17/2024.
Alice lives at her parents’ place at the age of 27 with no private life or a relationship. It takes a bicycle accident and a short coma to make her realize that it’s time to move out.