Explore the heartwarming journey of a little British orphan with Mummy Joe, filled with resilience and hope in this charming animation.
- Tragicomedy
Category
Explore the heartwarming journey of a little British orphan with Mummy Joe, filled with resilience and hope in this charming animation.
We all have those days where we ask the universe for love answers.
The filmmaker and photographer Lauren Greenfield, best known for the documentaries Generation Wealth (2018) and The Queen of Versailles (2012), has been poking at the ugly underbelly of consumerism for more than 25 years. Through her unsparing lens, the latest incarnation of the American dream has been revealed in all its blingy, exploitative glory, particularly when it comes to its toll on women and girls. In an interview with Topic recorded in late November of 2018, Greenfield talks about the major themes running through her work, and what she calls "the ultimate cost, and degradation, of capitalism."
A lonely young woman adopts a cat on a rainy day.
The adventures of a legendary hero, Sambagana, who, dazzled by the beauty of a princess, asks her in marriage. She imposes several tests, and he wins them all, but only death will eventually bring the two together.
Lotte Reiniger applies her charming cutout animation technique to this early advertisement for the Nivea skin care company.
For more then 20 years Charles Manson has refused to communicate to the outside world. Until now. These are actual never before heard phone conversations between Canadian best selling author Marlin Marynick and Charles Manson.
Over the course of these two stop-motion films, made by Karen Yasinsky in 1999, a woman—with the help of a pair of ruby-red slippers—delves into her fantasies and confronts good and evil before returning safely to the reality of her life.
The fatal fall to Earth of heroic World War II pilot Andrew Mynarski is rendered with white-hot expressionist intensity in this stroboscopic collage of live action and animation.
A father and daughter maintain their bond despite living in different countries through an imaginative nightly ritual where she suggests a title and he creates short animated films starring her as the hero.
Guy Maddin narrates a surreal animated ode to the Métis freedom fighter and founder of the province of Manitoba.
Meriem Bennani conjures an immersive augmented-reality world in the first two parts of a trilogy that issues a wild, up-to-the-minute commentary on diasporic cultures and the West’s dystopian immigration policies. A talking crocodile named Fiona acts as our guide though the CAPS, an island refugee camp in a future where teleportation has replaced airplanes.
One of Lotte Reiniger’s final films is an animated retelling of the biblical parable of the prodigal son.
In this colorful stop-motion animation with a satirical edge, a carnival of animals—including a frog, a chameleon, and a bird—compete in a wild wrestling match.
Entirely hand-painted, JOY STREET is the ambitious, astonishing story of a woman’s journey from suicidal despair to personal renewal with the help of an unlikely spirit guide. Using a Fulbright scholar award, Pitt traveled to remote rainforest regions of Mexico and Guatemala to create paintings of the nearly extinct patches of remaining virgin forest, which were later animated for the film. The music was composed by Roy Nathanson and the Jazz Passengers, with the title song recorded by Debbie Harry.
In a fantasy world, life-size cardboard animations interact with children clad in clown wigs, monkey masks, and princess costumes. Together, they host a carnival of surreal goings-on.
One day a young boy finds a fossil of trilobite. Together with his three friends they set off on an adventurous journey through prehistory, up to the beginning of time.
Pillow talk takes a surreal turn in a shape-shifting blend of live action and animation.
Two soldiers, voiced by Dizzy Gillespie and Dudley Moore, patrol the border between their countries. One of them drops his hat, and a dialogue (and an improvised jazz duet) about the possibility of peace through world law ensues.
This brash, inventive cartoon musical—a landmark of independent animation—satirizes Eurocentric beauty standards while celebrating the natural beauty of Black hair.