Making of video the stop motion movie The Family Portrait directed by Lea Vidakovic.
- Making of
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Making of video the stop motion movie The Family Portrait directed by Lea Vidakovic.
Flora Anna Buda, the director of 27, the multi-award-winning film, gives us a behind-the-scenes look at the making of the film. 27 won many awards including the Palme d’Or for a short film at the Festival de Cannes and the Cristal for best animated short at the Annecy Film Festival.
During a PowerPoint presentation, statistical diagrams are breaking free from their restrictive coordinates. A trip into the sensual world of statistics begins.
Deep into a forest, a gathering of wild animals start a nocturnal opera, conducted by a squirrel.
An artist is suffering of a creative crisis and of the absence of the muse. When he sees an advert in a newspaper about a «Dating Service», it seems he has found his last chance to find inspiration – and love.
1973, San Francisco. Charles Bukowski, underground poet and punk ahead of his time, reads his poem Love to a wild audience who’ve come to see the pulp writer’s provocative performance. But that day, instead of a punk they find a broken man hungry for love.
Abstract haiku-like situations reveal the changing atmosphere on one planet caused by a meteoric impact in a distant solar system. Inhabitants on this pulsing planet become one with each other, in various ways, in this three-chapter exploration of affection.
In a wonderfully sweet yet poignant story, Louise, an old lady, finds herself stranded in a seaside resort after the last train of the holiday season has left the station. But far from panicking, the fearless Louise decides to stay, no matter what awaits her.
Louise, ballerina at the Garnier Opera in 1895, rushes home after a show but is stopped by a friend asking for money.
The year 2100. In an effort to combat overpopulation, the postmortem social network “Anvil” is released. A fusion of both Japanese and Belgian comics inspirations and sensibilities, such as Ghost in the Shell, Akira or Peeters & Schuiten’s work. “Anvil” invites us on a journey through the eyes of a young woman in her final moments on earth.
In the “Lone Digger” video, we have a trio of cat-people sitting at a table across from a group of dog-people. Guess what happens.
Liza is an abstract film that takes its name from a composition by George Gershwin. This music is interpreted by Jean-Michel Pilc. It is a kind of visual transcription of this music.
The absence of the other one, the empty space, the memories sometimes painful. A parable on the path of love.
A bored Little Vampire, who has been 10 years old for 300 years yearns to go to school and make friends, but his new friendship with orphan boy Michael is threatened when a terrifying creature is out for blood.
In a country where men are more in love with their gadgets than with their female counterparts, a group of lonely and disillusioned ladies get on the legendary Limbo Limbo tour bus. Off to a far, exotic land, they hope to find the long sought-for Happiness. Meeting the inhabitants of Moustache Island, the women’s primal instincts are enflamed: while hunting down this rare species of Real Men, they turn against each other and against the titanic forces that rule the Island.
Life as it unfolds, through the memories and traces left in our minds. From birth to death, memories are engraved in our brains. Experiences and sensations amass and form who we are, establish our memories. This is how a life story unfolds, through memories, from childhood through to adulthood, until old age and arrival into a retirement home.
A Holocaust survivor reads a letter he wrote to the pig who saved his life. A young schoolgirl hears his testimony in class and sinks into a twisted dream where she confronts questions of identity, collective trauma, and the extremes of human nature.
In a kitchen, a mother and a child struggle to establish dialogue.
Making references to comics, cartoons, films or video games, Les Kassos reveals the dark and absurd sides to their cult figures.
The 24 Hours of Le Mans, 1955. 300.000 spectators are watching from the sidelines. It is 6:00 PM when Pierre Levegh’s car ploughs into the spectator stands, scattering the crowd with his car engine’s hot debris.