Pupa is the story about a boy who is about to begin puberty. His body is ready to make a physical transformation, but in his eyes every grownup is a hideous monster. He fears that he will turn into one of them.
- Drama
- Experimental
Category
Pupa is the story about a boy who is about to begin puberty. His body is ready to make a physical transformation, but in his eyes every grownup is a hideous monster. He fears that he will turn into one of them.
Masterclass by Maura McDonnell. With a background in painting, music, mathematics, history, education, and music & creative arts with technology, Maura McDonnell has been creating abstract visual music works since 1997.
In this presentation, experimental animator Jon Gillie will discue his early work in moving image, using analogue and digital mediums. Illustrating with examples, he discussed some influences in his work, approaches to abstraction, and the importance of sketching.
Candaş Şişman, an artist who manipulates human perceptions using different disciplines, talks about his multi-sensory installations that appeal to different senses at the same time, and the production processes of his experience-centered projects.
Visual Music is one of the most historically rich subgenres of abstract audiovisual art. From its beginnings, women have always been working in this field at the intersection of technology, sound, and film, yet most of them do not appear in history books. In this masterclass, we honoured some of these pioneers, all of whom were obsessed with seeing sound or hearing images.
Generative art uses code and algorithms in a creative and artisanal manner to generate infinite animations that never repeat. But how? In her masterclass, Anna Carreras will introduce us to the peculiarities and characteristics of this medium, illustrating it with her personal research and body of work. The talk offers an exploration of how algorithms and code, used in an artisanal and creative way, can generate unique and infinite abstract animated pieces.The presentation concludes with a Q&A session open to audience participation.
MASTERCLASS – THE PLEASURE OF MOVEMENT. Wrangling an Infant Technology by JOSÉ-MANUEL XAVIER (PT), with the kind translation of SANDRA RAMOS. “The pleasure of movement is what I feel when I bring strokes, lines, and dots to life. My work method is identical to my way of walking through nature. I advance, step by step, through unexpected paths to discover the unimaginable.”
MASTERCLASS – ALTERED DIMENSIONS. Abstract Audiovisual Works of Art by ZSOLT GYENES (HU). Gyenes’ talk focuses on Sound / Image connections; on what Synchrony, Asynchrony and “Synchresis” actually mean.
The talk focuses on the interdisciplinary relations between various areas of knowledge, that were the sources of inspiration for the creation of the final imagery, sound, and movement in the animated works of Miguel Pires de Matos. With a background in architecture, music and animated film, Miguel Pires de Matos will discusses some of the strategies and abstract operations behind his short film 4 Estados da Matéria (4 States of Matter, 2018) and the film he co-directed with other guest architects for MONSTRA Animation Festival in Lisbon, titled compositio III (2012).
In this touching presentation, Pedersen describes the creative and visual processes behind three of his films produced by Mikrofilm: The folkloric anxiety of The Boyg (2016), The looping limbo of Zolle: Resign (2021) and the nuclear petri dish of Little Boy (2018).
In this talk, Blas Payri addressed different aspects of the relationship between the moving image and music, treating both the experimental results of the perception and cognition of music / image as well as their creation processes.
In this MasterClass, the artist Aurora Gasull discussed her fascinating journey through what became known as Visual Music, abstract cinema, absolute cinema…; her personal motivations and tools at the beginning of this path, and their development until today, in chronological order.
Dark feelings harvested during the childhood of a kid erupt in violence after his mother passes away.
A freak grotesque about hand puppets.
Its 18 years since a featureless Meathead first appeared, shivering on a pavement in “Jukebox”. To mark this coming of age, here are some of their best bits…so far…
A grieving mother uses left behind data to create a replica of her dead son. Her longing wish to have him back seems fulfilled, but soon the child must realize the limits of his artificial existence.
Protoplasm is the living substance of the cell. It is the fluid basis of life, an inner organism with thoughts and feelings. Everything pulsates, expands and contracts. Sometimes we reach out and contract at the same time, causing a conflict that prevents fluids from moving. Fear and anxiety arise, and we become immobile.
This is a film about identity loss in the totalitarian world of computer technology. In a meeting between a human and an artificial being, we can witness the creation of biomorphic reality.
A funny dog “psycho” or a “heart attack” encounter.
Existential problems David solves by dance