Category

Shorts

61–80 of 2,838 films

  • Off-Time

    2025 Adults 11 min

    by Nata Metlukh

    A data engineer rushes through life, believing multitasking saves time—but it only creates chaos. Despite his strict control over time, nothing gets done: his home is a mess, work overflows, and breakfast is always burnt. He discovers joy in life only when time breaks apart.

    • Drama
  • by Zénó Mira

    The film has been selected in numerous animation film festivals' official programmes around the world, like Annecy International Animation Film Festival, Kaboom Animation Festival, Animateka International Animated Film Festival, etc. With it's unique dark graphic atmosphere and extraordinary storytelling, Fox Tossing won the prize of the Best Graduation Film of the 11th Primanima. In this short interview Zénó gives us some insight of his inspiration on the topic and the visual style.

    • Film about animation
  • by Ivan Bogdanov

    "Ivan Bogdanov (1973) was born in Sofia and holds a BFA degree in Media & Animation from the Willem de Kooning Academy of Art and Design, Rotterdam (2002). Since then he has been working as a freelance animation director, illustrator and comics artist. He is a co-founder of FinFilm animation studio and Compote Collective. During the last years he has created several award-winning animation films.

    • Film about animation
  • by Niki Lindroth von Bahr, Jay Clarke

    If patience is a virtue, animation filmmakers are particularly worthy of our admiration. Follow two seasoned practitioners as they guide us through the arresting world of stopmotion animation. A cherished collaborator of Wes Anderson, Jay Clarke ("Isle of Dogs") awakens us to the power of storyboarding, namely to enable a film crew to see a story before they shoot it. A creator of fable-like creatures, Swedish director Niki Lindroth von Bahr ("Something to Remember", Generation 2020) highlights hidden aspects of this timeconsuming yet tender filmmaking technique by sharing excerpts from works in progress and placing her singing snails and other puppets centre stage. Moderated by Andrew Amondson.

    • Film about animation
  • by Steven Woloshen

    For more than 30 years, Steven Woloshen has passionately created over 50 award-winning, abstract films and installations for festivals, galleries and museums. Twice nominated for Canada's Governor General's award, he has received numerous research and creation grants and, most recently, was awarded the 2016 René Jodoin lifetime achievement award, and the 2015 Wiesbaden Lifetime Achievement Award.

    • Film about animation
  • by Ádám Felszeghy, Barbara Sigmundová

    Hungarian producer Ádám Felszeghy will take us behind the scenes of the animated documentary Pelikan Blue (2023). He will share insights into its development, production process, and the challenges the team faced. The masterclass will explore the creative and technical solutions used, from animatic to final post-production, revealing how the film evolved from concept to completion. Ádám Felszeghy (ULab) Hungarian producer at ULab (powered by Umbrella). Produces feature films, documentaries, shorts and animation. Barbara Sigmundová Slovak co-host and moderator for CEE Animation Experience. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Sepideh Farsi, Tomas Danay, Juraj Krasnohorsky

    Masterclass will focus on the production of the film THE SIREN and a description of using the Motion Capture Technology. The focus of this masterclass will be on the feature-length animated film THE SIREN, on which a large part of the animation of the 3D characters was realised using Motion Capture technology through the Slovak company Artichoke and the animation studio Blue Faces. This is the first ever project of this size to be realised using this technology in Slovakia. Sepideh Farsi Born in Tehran, later moved to Paris where she studied mathematics but soon began filmmaking. After several short films, directed documentary "Homi D. Sethna, Filmmaker" which won several awards. Documentaries "Harat" and "Tehran Without Permission" premiered in Locarno. Feature films "Dreams of Dust" and "The Gaze" screened at Rotterdam. "The House Under the Water" won NETPAC Award. Latest film "The Siren" had world premiere at Berlinale. Tomas Danay (Blue Faces) Graduated in animation at the Film and Television Faculty of the Academy of Performing Arts (VŠMU). Main animator at Blue Faces studio. Worked on many foreign films (Green Hornet, Xibalba, Asura) and games (NBA 2k16, Shadows: Awakening), as well as commercials and music videos (Lil Dicky – Pillow Talking). Teaches computer animation at VŠMU, programme director of Festival BAB (Bratislava Animation Biennial). Juraj Krasnohorsky (Artichoke) Producer based in Bratislava. With Henrieta Tsvangová founded Artichoke (2010), producing fiction and animated films. Co-produced short "Superbia" (2016) which premiered at Semaine de la Critique in Cannes. Co-producing "White Plastic Sky" and stop-motion feature "Of Unwanted Things and People". EAVE graduate, member of Slovak Association of Animated Film Producers, board member of VAF, initiator/co-organizer of CEE Animation Workshop. Head of studies for CEE Animation Workshop. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Susanne Freese, Anna Vášová, Katarina Kerekesova

    What made a German distributor pick an Eastern European IP? What does it take to successfully pitch to German decision makers and to what extent can it serve as entry point to the wider European market? Susanne Freese (OneGate Media) Senior Manager Kids & Family at OneGate Media (formerly Studio Hamburg Enterprises) since 1998. Oversees licensing/co-financing of feature films, series and animation. Works closely with NDR, ARD stations and Kika. Also responsible for programme acquisition for national and international TV/VOD/DVD distribution. Anna Vášová (13ka) Started as a script executive for Czech TV. Lectured at the Academy of Performing Arts. Headed the script department at Czech TV. Founded 13ka production company focusing on auteur-driven films. Katarina Kerekesova (Fool Moon) Completed studies at Animation Film Department of VŠMU Bratislava. Founded Fool Moon (2009). Director and producer of Slovak TV series "Mimi and Lisa" and "The Websters". Executive Director of Slovak Association of Animated Film Producers. Lecturer at Animation Film Department in Bratislava. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • Red Shoes

    2022 Late Adolescence (16-20 yrs) 7 min

    by Diyala Muir

    The peace of a secluded society is disrupted by the sudden arrival of a mysterious object.

    • Comedy
  • Jean and Jeanne

    2024 Late Adolescence (16-20 yrs) 7 min

    by Thanys Martin

    Jeanne and Jean Jean is a funny and offbeat animated short film by Thanys Martin, created at Atelier de Sèvres. Blending romantic comedy, absurd humor and a sharp look at consumer society, the film follows a couple caught between love, doubt and the strange emotional pressure of choosing furniture together.

    • Drama
  • The Great Rabbit

    2012 Late Adolescence (16-20 yrs) 7 min

    by Atsushi Wada

    There was a time when we acknowledged that our noble, profound, and mysterious existence could be called The Great. Since then, we have evolved with time; our thinking and consciousness have changed. And yet, what is the reason that still allows us to consider our existence as The Great?

    • Drama
    • Fantasy
  • by Zsuzsanna Kreif

    Starting out as a director after graduation, developing your own projects is not a smooth process anymore. Zsuzsanna shares her experience about the development attempts of Dino Doom on Desert Planet, discussing the various development stages, pitch forums, residencies abroad, and balancing applied work with own creative projects. Zsuzsanna Kreif Freelance animation director and illustrator based in Budapest. MOME graduate. First film "Limbo-Limbo Travel" (co-directed with Bori Zétényi) was selected to Sundance, Annecy, Clermont-Ferrand and was Oscar-eligible in 2016. Directed 13-episode satirical TV series "Candide" (2015-2018). Currently developing new personal projects and teaching at MOME. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • by Lucija Smodiš, Petra Gajžler

    This webinar examines how animated films can be curated for young audiences through pedagogical exhibition, school-oriented distribution, and structured educational activities. They explore how guided tours, moderated screenings, contextual discussions, and creative workshops can enrich learning and deepen children's engagement with animation. Lucija Smodiš (StopTrik IFF) Curator and producer in contemporary art and animation. Initiator, programme collaborator and producer of StopTrik International Film Festival (Maribor/Lodz). Program director of GuestRoomMaribor residency (2014–2024). At DSAF establishing international artist-in-residency programme for animators. Petra Gajžler Film pedagogue, curator and distribution manager. Coordinates school screenings and develops educational materials for animated films. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Documentary
    • Making of
  • little british orphan

    2024 Adults 1 min

    by Joe Kady

    Explore the heartwarming journey of a little British orphan with Mummy Joe, filled with resilience and hope in this charming animation.

    • Tragicomedy
  • by Sander Joon

    This is my final 4-week assignment for 3D Character Animation professional course in The Animation Workshop. Inspired by Jacques Tati’s „Playtime“, I decided to create a character who acts in a more subtle manner. For the second part of the film, I wanted to go all out on physical movements of the whole body to get experience in animating a character running, trying to hold balance and tackle with some object.

    • Film about animation
  • by Paulina Zacharek, Arturo Tornero Aceves, Birgit Heidsiek

    Why is green filming the future of the film industry? What are the rules of green puppet making? Using their knowledge and expertise, we will talk about practical advice that can allow planning and practicing solutions neutralising the film industry's impact on the environment. The key point is a discussion about a unique green guide prepared as part of StopMoLab by MOMAKIN. Paulina Zacharek (MOMAKIN / StopMoLab) Co-founder of Momakin, responsible for cinema distribution and development of film projects, professional education for stop-motion industry. Creator and head of StopMoLab. Board member of Polish Producers Alliance (KIPA). Co-organizer of Animarkt Stop Motion Forum. Arturo Tornero Aceves Scriptwriter, animator, compositing artist specialized in stop motion, 2D and motion graphics with multidisciplinary and socio-environmental approach. Working on biodegradable alternative to silicone for stop-motion production. Birgit Heidsiek (European Center for Sustainability) Founder of the European Center for Sustainability in the Media World. Publishes Green Film Shooting magazine. Green Cinema Consultant for German Federal Film Board. Author of The Green Cinema Handbook. Two-time recipient of German Sustainability Award. TEDx speaker. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.

    • Film about animation
  • by Evan Chester

    This video serves as a beginner’s guide to the very famous and influential Czech animator Jiří Trnka. His films include The Hand, The Czech Year, A Midsummer Night’s Dream, Old Czech Legends, and Cybernetic Grandma.

    • Film about animation