Audience
EPISODES: Mail Has Arrived by Post / Sound Body, Sound Spirit! / For the King and for the Homeland! / The Wishing Table / I Can’t Live Without You! / News, Headlines / Oh, Those Foamy Neglige! / Hallowed Be Thy Name! / The Apple of Our Eyes / The Stage Meaning the World / Supplier of the Emperor and the Royal Court / All Fillérs Are Money! / The Country Is in Fever
EPISODES: Stone Blocks / Hurray, in the Park! / Masters Can Write! / High and Low / Farewell, Homeland! / My Devotees, Hungarians! / Hallo. Hallo! / What Things May Happen! / The Millennium / Poacher, Gamekeeper / This Is Style! / By Land, By Sea, By Air / I Jump into the Contrabass…
Pedro, a young, athletic man, share his life with his ironing board. Faithful, Pedro sleeps on his ironing board, carefully sets it when he wants to eat, uses it to iron his favorite jogging outfit, and even takes it under his arm when he goes jogging. In the village, everyone admires him and follow his example. One night, however, everything is turned upside down.
A batch of mushy sourdough. Two radioactive lizards. Three cans of Campbell’s tomato soup. When COVID-19 lockdowns began in 2020, people around the world began reporting more vivid dreams.
The figure against the space. The human figure's attempt to rest is disrupted by the surrounding space, which constantly oppresses it. With each attempt to escape, it finds itself in a fight with it again. Is it even possible for it to break this cycle?
How does it feel not to understand your own body and its needs? To perceive everything but food blurry and meaningless? The animated documentary film INSIDE shows a day in life of a person suffering a mental illness called Anorexia Nervosa. It is an intimate insight into the mind of an anorexic, who just must somehow interact with the raw reality.
A girl hears mysterious noises and investigates, but the source isn’t an easy answer.
A film about staging a theater performance 70 years after the events of 1948, as well as the real theater production that the whole communist coup was. Puppets seemingly without puppeteers, puppets moving about of their own free will – this is how communist comrades were and this is exactly how they’re presented in this film.
Incomprehensible Labour by Specific Means deals with the theme of labour in the contemporary. It critically points out the relationship between the abstraction of advanced automation and the concreteness of human labour. Work that is not always conscious and visible, but often unconscious and invisible. At the same time, this video highlights the fetishization of technology and performance, the result is not only invisible but also unimportant.
Birds are flying. The Birds a garden. The garden inside. Inside a man. The man through the center. Coming through the center. A house coming. The house closed. Closed heavily. Raining heavily. The house is raining. The house a storm. The storm a shadow. The shadow a shadow. The shadow out. The garden out. The garden is flowing away. It is flowing silently. Silently open. The open house. The house is leaving. Leaving through the center. The man through the center. The man out. The garden out. The garden the birds. The birds are flying. The BA film of Ondřej Dolejší captures the advent of a storm, and gradually develops the atmosphere, employing minimalistic yet powerful devices.
A large threat is menacing the village. The mythical demon Garmah – part squid, part bird – has awoken and brings utmost darkness... The tribe shaman, disturbed by the vision of the mythical monster’s coming, chooses a young warrior who needs to go to the end of the world and find the White Girl, the only one who can help him conquer the demon and defeat eternal darkness. The journey is uncertain, time is scarce and the village shaman is talkative.
Three characters share a common traumatic experience when they were born.
A naked woman sits in an empty room in front of the mirror and brings gum bubbles to burst. What is content and what is the form?
A sudden meeting of a Man and a Woman begins a hypnotic act – a game of pleasure and discomfort.
Currents of electricity were analysed and introduced into a human host via electrodes. The visual material was then animated and mixed with M. Bense’s text Technical Existence (1949).
In a city at night, a human-shaped deer tries to steal a man’s identity by taking his head off.
The protagonist of the film is a woman who trips and falls, while rushing around the house. She gets up, only to discover, that her home has unusual features – it is built from paradoxes, filled with illusions and covered with patterns.
Following an explosion, a mysterious and elegant elderly woman wanders deserted city streets, recalling what was and what could have been.
A man fights against a regime where all traces of humanity have been lost, but his act of rebellion seems like it’s framed within the System. He can’t do anything other than play his role in the pointless power game.
This mockumentary takes aim at 21st century society, which is still full of prejudice and intolerance towards people of different sexes, opinions and genders. The author asks the question whether these problems would disappear if humans were oviparous. Would we be more tolerant and perceptive of our surroundings?