School / Academy

KHM – Kunsthochschule für Medien Köln

  • Quimtai

    2015 16+ 5 min

    by Camilo Colmenares

    Play of abstract forms, patterns, rhythms and sounds. “Quimtai” is an abstract Animation based upon pre-colombian patterns of the now extinct Tairona and Quimbaya indigenous cultures of Colombia and is also inspired by the german absolute cinema. The animation was laser engraved directly onto 35mm Black Lead film as part of an elaborated technical manufacturing process.

    • Experimental
    • Non-narrative
  • Jila

    2015 16+ 5 min

    by Anna Mahendra

    In a huge shut down factory we encounter the ghost-like girl Jila. When her treasured musical clock misses a figurine, she sets out on her quest to find its whereabouts. There she discovers a scratch in a wall. At the turning point she needs to decide if she will make a step into the unknown, deal with the difficulties that may occur or if she will just turn back and stay in her familiar universe.

    • Drama
    • Experimental
    • Non-narrative
  • What I Forgot to Say

    2014 All audiences 9 min

    by Patrick Buhr

    “My name is *. I’m a flâneur. I will try to explain two things: A. What it means to be a flâneur, and B. How I became a flâneur.”

    • Abstract
    • Experimental
    • Making of
  • Unwanted Desires

    2014 Adults 4 min

    by Ola Szmida

    Unwanted desires’ is a compilation of short scenes having one thing in common: an ‘inappropriate’ behavior. It’s my personal diary – notebook with collection of never realized ‘bad thoughts’ or ‘bad impulses’.

    • Drama
    • Experimental
    • Non-narrative
  • Snail Trail

    2012 16+ 3 min

    by Philipp Artus

    A snail invents the wheel and goes through a cultural evolution to finally get back to its origin.

    • Abstract
    • Experimental
    • Non-narrative
  • Mate to Measure

    2004 All audiences 7 min

    by Špela Čadež

    The daily routine in the tailor shop is so turbulent that it is sometimes necessary to improvise, but fantasy and spontaneity are not always enough. When the tailor is alone, he lets his thoughts do the work. But what happens when love comes into play, and his thoughts can no longer be controlled?