Person
My films are abstract in the way that I use improvisation, intuition, and experimentation as methods of development. But my films are also emotional responses to ideas, materials, images, and sounds. In that sense, even my most visually abstract films have a human presence in them'.
a call and response
between an angry ballerina and her audience
A meditation on blind evolution.
a dialog between a pair of gestural ink abstractions
a call and response
between an angry ballerina and her audience
A meditation on blind evolution.
a dialog between a pair of gestural ink abstractions
a call and response
between an angry ballerina and her audience
A meditation on blind evolution.
a dialog between a pair of gestural ink abstractions
a call and response
between an angry ballerina and her audience
A meditation on blind evolution.
a dialog between a pair of gestural ink abstractions
a call and response
between an angry ballerina and her audience
A meditation on blind evolution.
a call and response
between an angry ballerina and her audience
A meditation on blind evolution.
a dialog between a pair of gestural ink abstractions
a call and response
between an angry ballerina and her audience
A meditation on blind evolution.
a dialog between a pair of gestural ink abstractions